Entheos – Time Will Take Us All (Review)

Entheos - Time Will Take Us AllEntheos are a progressive death metal band from the US and this is their third album.

Entheos play a technical and progressive form of modern death metal. Time Will Take Us All offers 40 minutes of complexity and intricate delivery. This is then melded with the melodic strands of modern death metal as well as the Continue reading “Entheos – Time Will Take Us All (Review)”

Soreption – Jord (Review)

Soreption - JordSoreption are a Swedish death metal band and this is their fourth album.

I thoroughly enjoyed 2014’s Engineering the Void, so Jord was high on my list of albums to check out. Clocking in at a lean 31 minutes Jord doesn’t mess around. Rarely have the gods of technical groove found such a fitting outlet as Soreption. Continue reading “Soreption – Jord (Review)”

The Outer Ones Global Invasion Part II Tour – Revocation/Archspire/Soreption/Rivers of Nihil– Manchester Rebellion, 19/12/18 (Live Review)

Revocation Header

I arrive at the venue before the first band is scheduled to start, (as I always try to). Once there, I’m presented with the longest queue outside the building that I’ve ever seen, surely a testament to the insane quality of this star-studded four-band bill. Continue reading “The Outer Ones Global Invasion Part II Tour – Revocation/Archspire/Soreption/Rivers of Nihil– Manchester Rebellion, 19/12/18 (Live Review)”

Soreption – Engineering The Void (Review)

SoreptionThis is the second album from Sweden’s Technical Death Metal wizards Soreption.

With a sound so sharp and crisp you could stab people with it, Engineering The Void erupts from the speakers like a geyser of technicality and blastbeats. This is Tech Death of the highest order.

Soreption play things ultra-precise and fast, and aren’t afraid to introduce new or novel ideas to their songs to make things even more interesting. They also know when to hold back and make the most out of a sexy riff, such as in Utopia.

I enjoy Technical Death Metal a lot when it’s done well. The problem sometimes is that the songs can get lost in all of the blurry speed and mayhem and it can therefore be easy to lose interest. Soreption don’t suffer from this though and the interest is held throughout this superlative release. It should be noted that this doesn’t mean the band play catchy songs; they don’t. The songs have form and substance and are merely composed of technicality and focused precision rather than being ruled and overpowered by them as can sometimes be the case with this style of Metal.

The singer can sometimes be overlooked in favour of the extreme technicality in these kind of bands, so I feel compelled to mention that the vocalist’s output matches the high performance levels of the rest of the group. He has a really strong voice which he uses to great effect, barking out savagery in a crisp, precise way; keeping in with the style of the album.

This is mechanically tight and flawlessly delivered. Technical Death Metal is not everyone’s favourite type of music but if you are partial to a bit of this then Soreption do it better than most. This has real longevity baked into it and is a great listen. Give them a try.