This is the second album from German black metal band Antrisch.
Expedition III: Renitenzpfad is a 48-minute black metal album that’s spliced with a few different influences. Across these seven tracks Antrisch take the listener on a journey into history, and as they do so they Continue reading “Antrisch – Expedition III: Renitenzpfad (Review)”
Aufhebung are a Belgian post-metal band and this is their second album.
Playing post-metal that brings together elements of doom, sludge, and post-rock, Aufhebung have crafted 48 minutes of material on Luchtbegrafenis. As a first encounter with Aufhebung, it’s Continue reading “Aufhebung – Luchtbegrafenis (Review)”
Matador are a post-metal band from the UK and this is their third album.
Matador play a compelling mix of post-metal, doom, sludge, and post-rock. That’s a lot of tags, but the music brings them together quite seamlessly. Above, Below, and So contains 42 minutes of material, and it’s a record that Continue reading “Matador – Above, Below, and So (Review)”
This is the second album by Belgian post-hardcore band Ronker.
Respect the Hustle, I Won’t Be Your Dog Forever contains 40 minutes of atypical, multifaceted post-hardcore. Ronker’s music is not always easy to categorise, but it is easy to like. Very easy, in fact. Yep, Ronker have unleashed Continue reading “Ronker – Respect the Hustle, I Won’t Be Your Dog Forever (Review)”
This is the second album from UK post-black metal band Unmother.
State Dependent Memory contains 38 minutes of modern/post-black metal, which includes a cover of a band called ΟΔΟΣ 55, here transmuted into something Continue reading “Unmother – State Dependent Memory (Review)”
This is the third album from Ingrina, a post-metal band from France.
So what do we have here then – a band who are described as a mix of post-metal and post-hardcore? One who are compared to Cult of Luna, Russian Circles and Year of No Light? With some striking album art to boot? Yep, it was impossible for me to resist sampling Ingrina’s wares. Continue reading “Ingrina – Nåværende Lys (Review)”
This is the debut album from Swiss post-metal band De l’Abîme Naît l’Aube.
De l’Abîme Naît l’Aube play post-metal that’s laced with elements taken from post-rock and blackgaze, alongside ritualistic influences. Think a mix of bands such as Alcest, Amenra, Vermilia, and Year of No Light, and you’ll be part of the way there. Across 53 minutes Continue reading “De l’Abîme Naît l’Aube – Rituel : Initiation (Review)”
This is the debut album from UK post-metal band In a House of Heartbeats.
Divination of Dreams is a 54-minute cinematic blend of post-rock, post-metal, shoegaze, and doom. In a House of Heartbeats have produced a cracking first record that’s more than worth spending time getting to know intimately. Continue reading “In a House of Heartbeats – Divination of Dreams (Review)”
This is the sixth album from Ellende, a solo black metal band from Austria.
Following on from 2024’s Todbringerin, Zerfall contains 52 minutes of new material. The artist behind Ellende specialises in post-black metal that uses blackgaze elements to produce emotive, mood-focused music. Continue reading “Ellende – Zerfall (Review)”
Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
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