Nailed to Obscurity play a modernised version of old-school death/doom. Black Frost contains 47 minutes of material that can be roughly characterised as a combination of old Katatonia mixed with elements of Paradise Lost, Insomnium, Opeth, Décembre Noir, and others. The band definitely let their own collective personalities shine through in the music, however. Continue reading
This is a Doom Metal album that’s full of Doom and has lots of Doom Metal in it. The Doom is strong and the Doom is heavy, with lots of Doom Metal making an appearance and a liberal Doom sprinkling of Doom on the Doom side.
This Doom album is of the Traditional Doom variety with Classic Doom and Old-School Doom also being represented. Black Doom Sabbath are a good Doom starting point as well as other Doom members of the Doom pantheon used as Doom influences.
Doom. Doom. Doom.
Okay, enough of that. You get the idea.
There is just over an hour of music on this album and it’s a pleasure to listen to. The man has a powerful voice and the music has a good amount of variation and interest to it.
The riffs are good, the melodies bold and memorable and the production punchy and crisp. The songs are well-written and there are plenty of interludes, solos, leads, keys, effects and even bass shenanigans to keep the listener enthralled.
John Gallow has produced an album that manages to encapsulate all of what it means to be Traditional Doom Metal whilst managing to actually sound current and relevant at the same time. It may be resolutely Old-School in source material but this is an album that can stand proud in the 21st century as a exemplar of how this kind of music should sound.