I greatly enjoyed both 2014’s Tyranny and 2016’s split with Calm Hatchery, so I’m pleased to be able to catch up with Lago for their newest album Sea of Duress. Continue reading “Lago – Sea of Duress (Review)”
This is technical death metal that’s relatively low key in how it shows off, choosing the usually superior route of concentrating on the actual songs themselves rather than ostentatious showmanship. A wise choice. Continue reading “Eternal Rest – A Death in the Darkness (Review)”
This is a modern brand of extremity, one that mixes elements of modern, melodic, technical death metal, and deathcore together into a sci-fi themed 24 minutes. Continue reading “Blood of the Prophets – The Stars of the Sky Hid from Me (Review)”
Origin play technical/brutal death metal that’s ultra-controlled, while also somehow seemingly a pure explosion of chaos and frenzy. Continue reading “Origin – Unparalleled Universe (Review)”
Here we have a 30 minute feast of underground, ugly brutality inspired by the classic USDM sound. This is for fans of Suffocation, Deeds of Flesh, Dying Fetus, Origin and the like. Grausig pay homage to their heroes across this relatively short album by playing their death metal as brutally as they can. Continue reading “Grausig – Di Belakang Garis Musuh (Review)”
This is 34 minutes of modern death metal that effectively combines speed and groove.
Cannibal Corpse-esque riffs mix with elements of deathcore and bands like The Kennedy Veil and Origin, as well as sprinklings of thrash metal here and there. The resultant music sounds like none of the above bands too much, although you can hear where their influences come from. That the band can clearly acknowledge Continue reading “Omnicide – Constants and Variables (Review)”
With an album cover that screams 80s death metal, possibly with a bit of thrash mixed in, Epidemia actually reveal themselves to be much more of a brutal 90s proposition. Leprocomio is raw, ugly and mercilessly aggressive.
The songs on this 35 minute excursion into the torturelands are savage and give the listener a right old battering. When they’re not ploughing ahead at full speed, they have a rhythmic brutality that recall Continue reading “Epidemia – Leprocomio (Review)”
Making a strong opening statement of intent with their album cover, Carnivorous Voracity proceed to deliver almost exactly what you might expect over these 36 minutes.
It’s very hard for me to dislike Death Metal like this. It’s savage and nasty, but with enough songwriting savvy to make sure that the music doesn’t become too one-dimensional. This is an important point, as a lot of bands of this ilk are essentially one-trick ponies, no matter how enjoyable.
With The impious Doctrine the band have ensured that there are enough elements of a few different types of ugly brutality included to keep things fresh and interesting. Brutal Death Metal forms the core of the release, but there’s sprinklings of Classic, Modern, Slam and Technical Death Metal thrown into the blender. It all makes for a very satisfying album.
The songs hit the mark, they really do. Although not a band who are primarily about hooks and catchiness, there’s a surprising amount of good hooks on here regardless, and overall this is a very strong album.
The recording is solid and everything sounds slick and professional. The blasting drums and face-smashing riffs are in-your-face, tight and focused.
The vocalist veers between lethal growls and ugly pigsqueals; being very proficient in both he never puts a foot wrong in his delivery.
Yes, this is a very, very nice release. TIME FOR FULL VOLUME CARNAGE!
No crappy intro and no messing around; the band launch straight into a blastbeat. This is Brutal Death Metal that is played fast and loud with plenty of double bass and twisting, crunching guitars.
Slower, more melodic sections and solos make appearances also and add spice to the flavour of the album.
There are elements of bands like Origin and Misery Index mixed with bits of bands like Cannibal Corpse and Severe Torture. It’s loud, substantial and uncompromising.
Hate Division are a funny band in a way, as this is a surprisingly subtle album. It’s all relative of course as we’re still talking about Brutal Death Metal here, but what I mean is this; the album grows on you over time and the band may be heavy, angry and in your face but they’re not flashy or gimmicky; they’re content to let the music do its stuff.
This is the kind of album that upon first listen it’s like, “yeah it’s good”, but then without even realising it you’re playing it again. And again. And again. Before you know it you have a much more intimate relationship with it than you were expecting. The band don’t take no for an answer.
So give this a listen and let the blastbeats and the riffs explode over you. It’s time to join the Hate Division.
Oh but this is a quality blast. Reptilian Agenda is interesting and inventive Death Metal, with all kinds of rhythms and creative moments. The songs are alive with reptilian malice and slithering slime.
The band have plenty of technique and their delivery is flawless. It’s instantly apparent that this is not run-of-the-mill Death Metal and as the album progresses this is confirmed in every song. Like Origin and Cephalic Carnage trading blows; riffs chop and change, twist and turn, only to be devoured by some sudden flare up of technicality and then vomited back up in a hail of brutality. The songs just kill everything in sight.
The vocals are uncompromising growls that also have a wet, fleshy feel to them. The verbalisations of a warm, (reptilian), corpse?
The sound does the music justice and the drums in particular sound immense and provide the glue that holds everything together, even though they appear to be inhabiting a different world to the hugely impressive guitars sometimes, it all holds together.
31 minutes of interesting and spirited brutal music. What are you waiting for?