This is the fifth album from Portuguese metal/post-black metal band Gaerea.
It’s been very interesting to watch Gaerea develop over the years, peaking their black metal assault on 2022’s Mirage, before adding in a few different textures and influences on 2024’s very well-received Coma. The latter was the band’s biggest stylistic shift until that point. Loss delivers an even larger Continue reading “Gaerea – Loss (Review)”
This is the seventh album from UK metal band Sylosis.
Following on from 2023’s extremely strong A Sign of Things to Come, The New Flesh contains 50 minutes of new material from Sylosis. It’s heavy, riffy, and good fun all-round. Continue reading “Sylosis – The New Flesh (Review)”
MØL are a post-black metal band from Denmark and this is their third album.
With 2018’s Jord and then 2021’s Diorama, MØL have established themselves as quality purveyors of sharp, shiny post-black metal. Now, with the 44-minute Dreamcrush, they consolidate their position, offering up their most polished and well-rounded album to date. Continue reading “MØL – Dreamcrush (Review)”
This is the fifth album from US death metallers Carrion Vael.
I enjoyed 2022’s Abhorrent Obsessions much more than I expected to, so I was pleased to see Slay Utterly appear, (it turns out I’d completely missed 2024’s Cannibals Anonymous too, which is annoying). This new record offers up 42 minutes of premium Carrion Vael, and it’s pretty damn good. Continue reading “Carrion Vael – Slay Utterly (Review)”
This is the sixteenth album from legendary German thrash metal band Kreator.
Krushers of the World is the follow up to 2022’s Hate Über Alles, and I’m here to receive it with open arms. I’m a huge Kreator fan, so you’ll find no apologies for the glowing review below, as Krushers of the World is cracking record. Continue reading “Kreator – Krushers of the World (Review)”
Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
This is the fifth album from Swedish metal band Orbit Culture.
I enjoyed 2020’s Nija, 2021’s Shaman, and 2023’s, Descent, so Death Above Life is well-received. If you’re unfamiliar with Orbit Culture, check these previous releases out if you’re a fan of bands such as Gojira, In Flames, Lamb of God, Meshuggah, Metallica, Slipknot, Soilwork, Static-X, Sylosis, Thy Art Is Murder, and Trivium. Continue reading “Orbit Culture – Death Above Life (Review)”
Heretoir are a post-black metal band from Germany and this is their fourth album.
Following on from 2023’s Nightsphere comes Solastalgia, which brings us 63 minutes of new music from Heretoir, (which includes an In Flames cover). I confess, I wasn’t expecting this to be as good or as impactful as it is. Continue reading “Heretoir – Solastalgia (Review)”
This is the fifth album from Nailed to Obscurity, a melodic metal metal band from Germany.
Following on from 2019’s Black Frost, Generation of the Void brings us 58 minutes of new material from Nailed to Obscurity. The band have been busy since their last record, refining their sound, delivering a comprehensive musical package that sees them stepping up their game to the next level. Continue reading “Nailed to Obscurity – Generation of the Void (Review)”
This is the seventh album from Swedish death metal band In Mourning.
In Mourning play melodic death metal with a progressive edge. With a duration of 47 minutes, The Immortal paints a rich canvas that captivates with its emotive depth and melodic colour. Continue reading “In Mourning – The Immortal (Review)”
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