Toadeater are a post-black metal; band from Germany and this is their third album.
Bexadde delivers 44 minutes of black metal across four lengthy nightmarescapes. Blending atmospheric components into a post-blackened framework, Toadeater’s music is compelling and satisfying. Continue reading “Toadeater – Bexadde (Review)”
Dreariness are an Italian post-black metal band and this is their third album.
I enjoyed 2016’s Fragments, so was keen to check this new album out. I’m pleased I did, as it presents the band in the best light, with a good, natural progression in sound. Continue reading “Dreariness – Before We Vanish (Review)”
This is the fourth album from Norwegian blackgaze/post-metal one-woman act Sylvaine.
Nova is a highly atmospheric journey. If you’re a fan of the shoegaze/blackgaze genres, then this is for you. The promo blurb states that this is for fans of bands such as Alcest, Deafheaven, Harakiri for the Sky, and Emma Ruth Rundle, and it’s hard to argue with that. Continue reading “Sylvaine – Nova (Review)”
This is the sixth album by German black metal band Waldgeflüster.
I very much enjoyed 2016’s Ruinen, and then 2019’s Mondscheinsonaten appeared and saw the band’s atmospheric brand of blackened music take another strong step forward. So, what of Dahoam then? Continue reading “Waldgeflüster – Dahoam (Review)”
Underdark are a post-black metal band from the UK and this is their debut album.
Underdark combine black metal, post-rock, post-hardcore/screamo, and blackgaze into their sound. That might sound like a slightly strange mix of subgenres, but on Our Bodies Burned Bright on Re-Entry these influences all coalesce into a very effective and enjoyable 36 minutes of post-blackened darkness. Although Continue reading “Underdark – Our Bodies Burned Bright on Re-Entry (Review)”
This is the fifth album from Austrian post-black metallers Harakiri for the Sky.
I always enjoy a new Harakiri for the Sky record. Both 2016’s III: Trauma and 2018’s Arson were first-rate albums from a first-rate band, and Mӕre is no different. Continue reading “Harakiri for the Sky – Mӕre (Review)”
Chernaa are an international, (Czech Republic/Ukraine/Russia), post-black metal band and this is their debut album.
The promo blurb for this album stated that it was for fans of Deafheaven, Oathbreaker, Wolves in the Throne Room, Wiegedood, and Harakiri for the Sky, so I knew that I had to at least give it a listen. Then, having skimmed through a couple of their videos, I knew I Continue reading “Chernaa – Empyrean Fire (Review)”
Oh my. There has been some very good stuff released this month. Let’s have a look… Continue reading “Monthly Overview – the Best of February 2018”
This is the fourth album from Austrian post-black metallers Harakiri for the Sky.
Well, it only seems like yesterday since we were graced with Harakiri for the Sky’s third album III: Trauma, which was unveiled in 2016. This album was somewhat of a slow-burning sleeper hit for me; I Continue reading “Harakiri for the Sky – Arson (Review)”
This is the fourth album from German band Downfall of Gaia. They play post-black metal.
This is a release that creates and fosters atmosphere like a second skin. It’s dark and mystical, and keeps its secrets close to its chest despite also being quite warm and welcoming in some respects. Ice-cold black metal full of hatred and blasphemy this is not. That’s not to say that Continue reading “Downfall of Gaia – Atrophy (Review)”
Wonderbox Metal 