This is the tenth album from Swiss black metal act Borgne.
Featuring a member of Enoid and Ancient Moon, Borgne play industrial black metal, and Temps Morts contains 73 minutes of the layered darkness. Continue reading “Borgne – Temps Morts (Review)”
This is the sixth album from French solo black metal act Esoctrilihum.
Dy’th Requiem for the Serpent Telepath offers up an individual take on extreme metal. It mixes a textured interpretation of black metal with elements of death and doom metal, to produce music that’s majestic, symphonic, eccentric, and steeped in rich atmosphere. It does this over a colossal 79 minutes, so prepare yourself for the long haul. Continue reading “Esoctrilihum – Dy’th Requiem for the Serpent Telepath (Review)”
This is the second album from Dordeduh, a progressive metal band from Romania.
Featuring current/ex-members of Argus Megere/Negură Bunget, Har treats the listener to 62 minutes of blackened progressive metal. Continue reading “Dordeduh – Har (Review)”
Awenden and Feminazgûl are both atmospheric black metal bands from the US, and they have teamed up for this split release; three songs, 30 minutes in total.
We start with a single track from Awenden, which is a solo act with guests, (vocals/flute). Continue reading “Awenden/Feminazgûl – Split (Review)”
Nemorous are a UK black metal band and this is their debut EP.
Nemorous contains 36 minutes of music in the form of four original tracks, (three songs), and a cover of a In Gowan Ring song. Featuring current and ex-members of bands such as Wodensthrone, Ahamkara, Vacivus, and Axis of Perdition, you know that Nemerous are an experienced bunch before the record even starts. Continue reading “Nemorous – Nemorous (Review)”
This is the debut album from Canadian black metal band Oriflamme.
Oriflamme’s black metal combines furious intensity with atmospheric appeal. When the band play fast they play with fire and vigour, but when they slow down is when the real dark magic happens. Continue reading “Oriflamme – L’égide Ardente (Review)”
This is the second album from solo blackened metalcore act The Ember, the Ash.
Fixation is an interesting blend of symphonic black metal and breakdown-heavy metalcore. Only a few bands are playing around with blackened elements in metalcore, to varying degrees of success, so it’s always good to hear another such act throw their interpretation of this unusual subgenre into the ring. Continue reading “The Ember, the Ash – Fixation (Review)”
Olhava are a Russian black metal band and this is their fourth album.
Frozen Bloom is a 59-minute exploration of loss and mournful intensity. The band’s post-blackened brew is concocted from the bones of atmospheric black metal, blackgaze’s warmth of emotion, dark ambience, and synth-driven drone. Continue reading “Olhava – Frozen Bloom (Review)”
Inferno are a black metal band from the Czech Republic and this is their eighth album.
I always enjoy a new encounter with the work from Inferno. Both 2013’s Omniabsence Filled by His Greatness and 2017’s Gnosis Kardias (of Transcension and Involution) were enjoyable and satisfying examples of sophisticated black metal art. Continue reading “Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)”
This is the debut EP from Empty Throne. a blackened death metal band from the US.
After giving the promo email the once over, how could I not want to give Glossolalia a spin? Recommended for fans of bands such as At the Gates, God Dethroned, Dark Tranquillity, and Carpathian Forest? Containing current/ex-members of Possessed, Decrepit Birth, Black Crown Initiate, The Kennedy Veil, and Angerot? Listening to this was always going to happen. Continue reading “Empty Throne – Glossolalia (Review)”
