Lykotonon – Promethean Pathology (Review)

Lykotonon - Promethean PathologyThis is the debut album from US black metallers Lykotonon.

An experimental black metal band featuring members of Blood Incantation and Wayfarer? Sign me up! Promethean Pathology contains 39 minutes of darkness, and offers a journey not to be missed for connoisseurs of the underground. Continue reading “Lykotonon – Promethean Pathology (Review)”

Black Cross Hotel – Hex (Review)

Black Cross Hotel - HexThis is the debut album from Black Cross Hotel, an industrial band from the US.

Hex initially caught my eye due to Black Cross Hotel containing a member of Stabbing Westward. On closer inspection it seems there are also members of The Atlas Moth, Corrections House, Minsk, and Broken Hope in the band, all of which attracted me further. All very intriguing. However, Continue reading “Black Cross Hotel – Hex (Review)”

Peurbleue – La Ciguë (Review)

Peurbleue - La CiguëThis is the debut album from French black metal band Peurbleue.

Peurbleue play a form of mood-rich, electronically enhanced black metal. La Ciguë is a 36-minute soundscape of dark atmosphere and mysterious textures. Continue reading “Peurbleue – La Ciguë (Review)”

Return to Earth – Oblivion (Review)

Return to Earth - OblivionThis is the third album from US industrial metal band Return to Earth.

Industrial metal is a rather nebulous and potentially misleading genre tag when applied to Return to Earth. Oblivion is a very diverse and idiosyncratic record, with elements of metal, post-hardcore, industrial, progressive rock, and electronica all present in the music. This Continue reading “Return to Earth – Oblivion (Review)”

Francis Root/Sconsacrata – Split (Review)

Francis Root Sconsacrata - SplitFrancis Root, (based in Norway), and Sconsacrata, (based in the UK), are both solo black metal acts who have teamed up for this split release, (both artists are also in sludge metal band Beggar).

Francis Root start us off, with 19 minutes of material. The style of the four songs we’re presented with is one that’s modern and progressive, with elements of electronica and industrial sewn into the music. Continue reading “Francis Root/Sconsacrata – Split (Review)”

Borgne – Temps Morts (Review)

Borgne - Temps MortsThis is the tenth album from Swiss black metal act Borgne.

Featuring a member of Enoid and Ancient Moon, Borgne play industrial black metal, and Temps Morts contains 73 minutes of the layered darkness. Continue reading “Borgne – Temps Morts (Review)”

Crown – The End of All Things (Review)

Crown - The End of All ThingsThis is the third album from French industrial band Crown.

I’m unfamiliar with Crown’s past work, but apparently The End of All Things is a complete departure from their older sound. Fair enough. If you’re new to the band like me, (or even if you’re not), Crown’s new album contains 46 Continue reading “Crown – The End of All Things (Review)”

Aborym – Hostile (Review)

Aborym - HostileAborym are an Italian industrial metal band and this is their eighth album.

The follow up to 2017’s Shifting.negativeHostile contains 66 minutes of new material that finds the band incorporating elements of industrial, electronica, and metal/rock into a very solid album. Continue reading “Aborym – Hostile (Review)”

The Promise of Plague – Sleepwalking into Armageddon (Review)

The Promise of PlagueThe Promise of Plague are an industrial black metal band from the US. This is their debut release.

Featuring members of Fatal Step, Astrum, Empyrean Asunder and the mighty Abominant, here we have 16 minutes of raw black metal with industrial/modern influences that place it somewhere between the underground and a more accessible area; not quite polished and commercial, but potentially getting there. Continue reading “The Promise of Plague – Sleepwalking into Armageddon (Review)”

Aborym – Shifting.negative (Review)

AborymThis is the seventh Aborym album. They play industrial metal and hail from Italy.

I love Aborym’s earlier work, but after Generator I lost track of the band unfortunately, so Shifting.negative is my first experience with them in about ten years or so. What a shocking omission on my part! This review will inevitably come from this viewpoint, as I have missed out on their last two albums, which would probably, (I imagine), have given me a more smoother transition to the current incarnation of Aborym. Continue reading “Aborym – Shifting.negative (Review)”