I love Aborym’s earlier work, but after Generator I lost track of the band unfortunately, so Shifting.negative is my first experience with them in about ten years or so. What a shocking omission on my part! This review will inevitably come from this viewpoint, as I have missed out on their last two albums, which would probably, (I imagine), have given me a more smoother transition to the current incarnation of Aborym. Continue reading “Aborym – Shifting.negative (Review)”
This is a side project between members of Kult of Azazel and The Electric Hellfire Club, featuring guests from such bands as The Electric Hellfire Club, (again), Demonic Christ, Dark Funeral and Coven.
The Scourge is an album with a lot going on, and the band manage to Continue reading “Wolfpack 44 – The Scourge (Review)”
First off – I like the album cover. A good start.
This is futuristic Cyber-Metal with Symphonic Black Metal elements in the style of Neurotech, The Kovenant and certain Samael material, and anyone familiar with these bands will immediately have a good idea of what Star Insight sound like.
The band are actually a bit more varied than a lot of this kind of stuff and have a good ear for a song. A lot of these tracks are catchy and filled with hooks and unless you’re completely inured to this style it’s hard not to like them. They have a good Power/Euro Metal influence which gives them an edge over similar bands. Add to this a harsher, Dimmu Borgir-style influence and you have a recipe for quite the enjoyable album.
Vocals are predominately harsh, slightly-deeper-than-the-norm Black Metal vocals. One of the main ways Star Insight differentiate themselves from the aforementioned bands though is through the inclusion of clean and semi-clean vocals, and these are extremely good. The singer has a good range and runs the gamut between these styles. Female vocals also appear on Poem of Misery which sound great and add another aspect to the band’s sound, even if it is for only the one track.
The songs never have a chance to outstay their welcome as only two of them breach the 4 minute mark. Instead, we get focused and catchy songs aimed at maximum enjoyment in minimal time.
The symphonic elements and effects are never overbearing and add to the songs rather than smothering them.
This is a thoroughly enjoyable album that I like way more than I thought I would; the band are more adventurous and varied than I was expecting and this is to their credit.
Give Star Insight some of your time.
After a suitable intro we get first song Signal Detected which positively bounces along in a jolly, sci-fi kind of way; melodic Death Metal under a covering of electronics and effects; like At The Gates/Dark Tranquillity and The Kovenant/Deathstars/Neurotech fighting it out.
There are some pleasing riffs churned out, with the effects adding additional depth without smothering the actual Metal. This is a band using the electronica to enhance the Metal and the theme of the songs rather than to be a novelty or for wider commercial appeal.
With this kind of music there is a lot that can go wrong, and as usual this is very subjective so it does depend on the interpretation of the listener of course, (as always). For me this EP tends to largely be on the right side of the potential hazards; the electronics and effects are prominent but not overbearing; the guitars have substance and are not just there for show; the vocalist has bite and is not interested in being the next Marilyn Manson; the music is dark enough to avoid any potential “Cheese Factor”. I’m calling victory here.
The more I listen to this the more I fall for its charms. It has its own character and personality. It’s also very catchy in places. Xenotaph in particular. Tacked on the end of the EP is a cover of Sepultura’s Refuse/Resist that ends proceedings nicely.
If your taste in Metal runs to the less-conventional then check out Coraxo and see if you fall for their sci-fi sound.