Pathology have had a new lineup since 2017’s self titled album, including a guitarist from Condemned and vocalist from Inherit Disease. The songs are short and vicious, and the entire album is done in 33 minutes of grooving heaviness and nasty brutality. Continue reading
I’ve seen Disentomb live a few times over the years, and they’ve always impressed with their energetic brutality. I have to say that The Decaying Light is not what I expected, as alongside the utter brutality I was prepared for, there’s an intricacy and depth of delivery here which caught me off guard. Continue reading
Now here’s an album that does exactly what it says on the tin. Slamming death metal with a zombie fixation? Why the Hell not! It would be so easy to play this kind of thing badly and end up a generic mess of gore and entrails, but do you know what? This album is just a big old ball of bloody fun. Continue reading
Here we have 18 tracks of brutal deathgrind; 34 minutes of savage, nasty extremity. Continue reading
Now that’s what you call an album cover. Oh yeah.
Organectomy play brutal death metal, but it’s not without nuance. Survive the Continue reading
Although I’ve seen Ingested live, this is my first encounter with their recorded material. They sound pretty much exactly like I thought they would, and I mean that in a very good way. I enjoyed them live, and The Level Above Human manages to capture the massive sound of the band’s performance with crushing precision. Continue reading
This is brutal death metal full of slamming gore and ugly abuse. Continue reading
Vulvodynia specialise in a form of brutal death metal that features a large helping of slam, beatdowns and deathcore/whatever – basically it’s brutal, bouncy and smashes the Hell out of everything around it.
This is heavy and groovy, designed to fuel violence in mosh pits Continue reading
Atomgott mix together brutal/slamming death metal and deathcore to give us 29 minutes of huge riffs and heavy aggression.
The band are focused on providing the listener with a combination of speed and groove, both of which they do very effectively. Although there’s elements of the more modern deathcore/slam styles, there’s a good chunk of USDM in here too, recalling Continue reading