The follow up to 2017’s Shifting.negative, Hostile contains 66 minutes of new material that finds the band incorporating elements of industrial, electronica, and metal/rock into a very solid album. Continue reading “Aborym – Hostile (Review)”
Taking an electronic and keyboard powered approach to their music, The Taint is an enjoyable trip to places that I haven’t visited in quite some time. Continue reading “Nexus – The Taint (Review)”
Combichrist are one of those bands that I’ve been aware of since they came out, but I’ve always managed to unintentionally avoid listening to. As this is their eighth album I’m quite late to the Combichrist party, but I’m glad I’ve finally experienced their quite personable brand of industrial metal. Continue reading “Combichrist – This Is Where Death Begins (Review)”
I love Aborym’s earlier work, but after Generator I lost track of the band unfortunately, so Shifting.negative is my first experience with them in about ten years or so. What a shocking omission on my part! This review will inevitably come from this viewpoint, as I have missed out on their last two albums, which would probably, (I imagine), have given me a more smoother transition to the current incarnation of Aborym. Continue reading “Aborym – Shifting.negative (Review)”
What happens when deathcore runs out of room to expand within its restrictive genre confines and needs to spread its wings into a wider world? The Violent Sound is what happens.
Mixing the heavy, low-end rumble of deathcore with a slice of nu-metal, The Last Ten Seconds of Life have a sound that is largely one of their own in 2016. Continue reading “The Last Ten Seconds of Life – The Violent Sound (Review)”