Peurbleue play a form of mood-rich, electronically enhanced black metal. La Ciguë is a 36-minute soundscape of dark atmosphere and mysterious textures. Continue reading “Peurbleue – La Ciguë (Review)”
For Death Metal that’s dark, obscure and worrying, look no further. Operating in the netherworld of the deep Death Metal underground, Inexorable are like a gathering storm, ready to rage and destroy in dense, murky fits of violence.
Their last EP Morte Sola was a disconcerting journey into the abyss, and this is much the same only further down into the maelstrom. I described them on that release as Mayhem gone Death Metal, and I’d stick to that on Sea of Dead Consciousness.
Vocally the singer doesn’t really do a very good job of convincing us he’s human and I see no real reason not to believe he’s actually some daemonic entity. I’m pretty sure that every time I play this EP a rift to Hell gets slightly wider somewhere, but that’s the price we pay for good music, eh?
The EP offers us three originals and three covers. Of the covers, we get Mayhem, (fitting), Immolation and Mysticum. The original Inexorable tracks are terrifying and disturbing, and the cover versions are stamped with the crippling malevolence of Inexorable’s dark vision. It may not sound it, but that’s a compliment and all three are reimagined in grimmest glory.
So have they progressed from Morte Sola? Yes. Speaking plainly, Sea of Dead Consciousness is the superior release. The songs are more fully-realised and confidently performed. They were good before, but here they’re even better.
When they eventually release their first full-length album you can be sure I’ll be queuing up to get at it. After all, that rift to Hell isn’t going to open itself is it?