Tempel Wolf are a black metal band from Switzerland and this is their debut release.
Tempel Wolf play atmospheric black metal, and on Hirschgeweihmaskeraden they deliver 32 minutes of material across this absorbing release. Continue reading “Tempel Wolf – Hirschgeweihmaskeraden (Review)”
Sunrot are a sludge band from the US and this is their second album.
Sunrot’s hostile music is a sludge metal monster that is enhanced by noise and effects in the manner of early Eyehategod records. It’s a 40-minute trip through the corridors of sludge and doom, and wears its influences on its sleeves like badges of honour. Sunrot know what they’re doing with the style though, and The Unfailing Rope is an enjoyable slab of heaviness. Continue reading “Sunrot – The Unfailing Rope (Review)”
This is the fourth album from Italian death metallers Devangelic.
There’s always room for more brutal death metal in your life, don’t pretend that there isn’t. If you’ve recovered from Resurrection Denied, Phlegethon, and Ersetu, then Xul is here to give you your next dose of the brutality that I know you love. Continue reading “Devangelic – Xul (Review)”
This is a split between Fit for an Autopsy, Thy Art Is Murder, and Malevolence, who are from the US, Australia, and the UK respectively. It’s the successor of sorts to 2016’s The Depression Sessions. Each band contributes one original and one cover track to this release, which lasts 23 minutes in total. Continue reading “Fit for an Autopsy/Thy Art Is Murder/Malevolence – The Aggression Sessions – Split (Review)”
This is the second album from Swiss black metallers Ernte.
Featuring a member of Ashtar, Albsegen contains 50 minutes of well-crafted black metal. Balancing aggression and atmosphere, this is a satisfying listen that’s easy to enjoy if you’re a fan of the style. Continue reading “Ernte – Albsegen (Review)”
Yskelgroth are a black metal band from Spain and this is their second album.
Featuring the vocalist from the mighty Avulsed, Bleeding of the Hideous is a 33-minute mix of black and death metal that’s ferocious and harsh, yet not without depth and substance. Continue reading “Yskelgroth – Bleeding of the Hideous (Review)”
Ignominy are from Canada and play death metal. This is their debut album.
Ignominy are not a standard death metal act, and Imminent Collapse is not your run-of-the-mill death metal album. Rooted in the dissonant style, theirs is an avant-garde expression of dissodeath that incorporates blackened textures, technical flourishes, chaotic intensity, and atmospheric proclivities. Continue reading “Ignominy – Imminent Collapse (Review)”
This is the sixth album from one-man Norwegian black metal act Mork.
The artist behind Mork is always reliable, and always puts out the sort of classic black metal material that makes albums like 2017’s Eremittens Dal so enjoyable. On Dypet the music of Mork spends 48 minutes making the most of its old-school black metal influences to produce an album that has evolved past its roots. Continue reading “Mork – Dypet (Review)”
Thron are a black metal band from Germany and this is their fourth album.
Now boasting the drummer of the mighty Aara in their ranks, Dust contains 55 minutes of accomplished black metal. I haven’t caught up with the band since 2018’s Abysmal, so it’s good to hear what they’re up to once more, and I have not been disappointed. Quite the opposite, in fact. Continue reading “Thron – Dust (Review)”
Leukotomy are a Vietnamese black metal band and this is their debut album.
Eternal Path to Eden delivers 51 minutes of black metal that has a second wave base which has been adorned with avant-garde enrichments. Continue reading “Leukotomy – Eternal Path to Eden (Review)”
Wonderbox Metal 