This is the fifth album from Cuban black metallers Narbeleth.
I always enjoy catching up with new Narbeleth material. If you’re unfamiliar with the band, also make sure you check out 2014’s A Hatred Manifesto, 2015’s Through Blackness and Remote Places, and 2017’s Indomitvs. Continue reading “Narbeleth – Svmma Cvm Nox Arcana (Review)”
This is the debut album from Go Ahead and Die, a death/thrash metal band.
Go Ahead and Die treats us to 44 minutes of old-school thrash metal, with some death metal, punk, and grindcore thrown in for good measure. Continue reading “Go Ahead and Die – Go Ahead and Die (Review)”
Eremit are a doom/sludge band from Germany and this is their second album.
I loved 2019’s Carrier of Weight, and ever since I’ve been really excited every time I see that that band have unleashed more of their crushing doom on the world. Up until now, this has only consisted of 2020’s excellent, (though far too brief), EP Desert of Ghouls. Now, however, we get Bearer of Many Names, which is every bit as massive as the band’s debut album, although it’s resolutely not the same beast. Continue reading “Eremit – Bearer of Many Names (Review)”
This is the fourth album from Red Fang, a sludge rock band from the US.
Red Fang play scuzzy, murky sludge rock, and do so with swampy skill. Across 43 minutes the band kick out the jams with commendable ability, but also provide more depth than your average purveyor of this style does. Continue reading “Red Fang – Arrows (Review)”
This is the second album from Polish one-man post-black metal band Ennoven.
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Moanaa are a Polish post-metal band and this is their third album.
I’ve enjoyed following Moanaa’s development over the years, from 2014’s Descent, to 2016’s atmospheric Passage, and then 2019’s EP Torches. Of the latter, the first track on Torches reappears on Embers. Continue reading “Moanaa – Embers (Review)”
Sordide are a black metal band from France and this is their fourth album.
Sordide deliver us 39 minutes of sharp, modern black metal. Continue reading “Sordide – Les Idées Blanches (Review)”
Worm Shepherd are a blackened deathcore band and this is their debut album.
Blackened melodies expand with fiery grace and keyboards swell with malevolent doom, only to be cruelly cast aside by cold, merciless slams when the moment is right. Worm Shepherd play a form of blackened deathcore that combines Continue reading “Worm Shepherd – In the Wake ov Sòl (Review)”
Somnuri are a sludge metal band from the US. and this is their second album.
Featuring an ex-member of Cleanteeth, Somnuri’s sound can best be described as something like progressive sludge metal. The promo blurb mentions bands such as High on Fire, Mastodon, Converge, Torche, and Baroness, and this sets the scene nicely. However, while all of the Continue reading “Somnuri – Nefarious Wave (Review)”
May continued 2021’s trend of being a very good year for metal. As is now usual, restricting the list to just a handful of releases was difficult. There’s more where this came from! Continue reading “Monthly Overview – the Best of May 2021”
Wonderbox Metal 