Wolf Theory are an alternative rock band from Italy and this is their debut album.
I’m not sure what it was that made me give Wolf Theory a try, but I’m glad I did. After sampling their songs, there seemed to be enough to warrant a full listen. If you can move past the low-rent album cover, (which did its best Continue reading “Wolf Theory – WLFTHRY (Review)”
This is the debut album from Nicarus, a solo Israeli artist.
I confess that it was the album art that drew me to this release, as I’m not normally a huge fan of the less-heavy genres such as anything with rock in the descriptor. I’m glad that I did check it out though, as Coal People, Coal Puppets is an Continue reading “Nicarus – Coal People, Coal Puppets (Review)”
This is the debut solo album from UK progressive rock artist Paul Sadler.
Paul Sadler is apparently the vocalist/guitarist of UK progressive metallers Spires; unfortunately I’m unfamiliar with this band, so I can’t comment on how similar Paul’s material is to his main outfit. What I can comment on, however, Continue reading “Paul Sadler – Soon to Be Absorbed (Review)”
I’ve decided to do something new for 2020 – a second End of Year list. If you’ve missed it, my standard, definitive best of 2020 list can be seen here, and is made up of albums I was lucky enough to get to review. However, this year I want to also highlight some of the many albums that I’ve enjoyed listening to, but for one reason or another never had the chance to review. So, consider this a complementary list of sorts to the main one. Continue reading “Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020”
This is the third album from Australian progressive black metallers Vyrion.
Nil contains 48 minutes of highly compelling music. Venomous modern black metal is the order of business here, and business is booming it seems. Vyrion’s blacked assault contains elements of rock, thrash, and Continue reading “Vyrion – Nil (Review)”
This is the second album from US black metal band Lord Almighty.
Lord Almighty play a modern brand of progressive black metal that incorporates elements of blackened thrash, sludge, crust, and rock into its vibrant embrace. The press blurb invokes bands such as Darkthrone, Kvelertak, Thin Lizzy, Mastodon, Continue reading “Lord Almighty – Wither (Review)”
Among Phantoms are a hardcore band from Denmark and this is their debut album.
This is a modern brand of hardcore, with elements of metalcore that can be heard, alongside a healthy rock influence. Continue reading “Among Phantoms – Memories/Catastrophes (Review)”
This is the debut album from The Progressive Souls Collective, an international progressive rock/metal supergroup of sorts.
Here we have 63 minutes of music that features current and ex-members of a range of bands, all brought together by a central figure. I picked this album to listen to initially due to the striking album art, but never thought it Continue reading “The Progressive Souls Collective – Sonic Birth (Review)”
Uniform are an industrial rock/metal band from the US and this is their fourth album.
After enjoying 2018’s The Long Walk and the following year’s collaboration with The Body, I was eager to find out what Shame brought to the table. Continue reading “Uniform – Shame (Review)”
This is the second album from Aenemica, a German progressive rock band.
This is the follow up to 2014’s Empty Inside,
These songs feature a mix of progressive, melodic, and alternative rock, nicely-written and neatly-presented. Aenemica understand the style that they play, meaning that these songs have plenty of hooks and memorable moments, while Continue reading “Aenemica – Secret Lines (Review)”
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