Two Shadows offers the discerning listener 28 minutes of characterful dark rock. Comprised of a few different influences from a range of styles, Hoaxed are charismatic and idiosyncratic. Elements of Gothic, melodic, alternative, and folk rock are Continue reading “Hoaxed – Two Shadows (Review)”
I really liked 2018’s The Banished Heart, but 2020’s self titled was something even more special, making it on to my end of year list. I wasn’t sure how Oceans of Slumber could top their last album, and I’m pleased that they haven’t tried to; as you may have noticed, I’ve tagged this as a progressive rock album, rather than Continue reading “Oceans of Slumber – Starlight and Ash (Review)”
Occasionally you stumble, blindly, across an album that is a real gem. Throne of Gold is exactly one such release. Sarayasign’s rock style may have fallen out of fashion some time ago, but that doesn’t change the fact that what they have produced here is a damn good album. Continue reading “Sarayasign – Throne of Gold (Review)”
Reach play song-based rock music, and they have produced 38 minutes of this for us to enjoy on The Promise of Life. You can imagine Reach as a mix of bands such as Muse and Queen, as a rough starting point. Continue reading “Reach – The Promise of a Life (Review)”
This is the follow up to 2014’s Empty Inside,
These songs feature a mix of progressive, melodic, and alternative rock, nicely-written and neatly-presented. Aenemica understand the style that they play, meaning that these songs have plenty of hooks and memorable moments, while Continue reading “Aenemica – Secret Lines (Review)”
Inspired by the likes of Deftones, Glassjaw, and the less-harsh aspects of Periphery and Sikth, this short EP is 18 minutes of emotive and anthemic modern music that’s played with obvious passion. Continue reading “First Signs of Frost – The Shape of Things to Come (Review)”
Edguy are one of those bands that, for some reason, I’ve never actually heard before this release, despite being aware of them pretty much since they released their first album in 1995. I don’t normally review, (or listen to), Continue reading “Edguy – Monuments (Review)”
Mixing the extravagance of bands like Evanescence and Lacuna Coil with the Earthy grit of bands like Hole, Ann My Guard have produced a very impressive début.
The singer has a very powerful voice that’s versatile and strong. The vocals seems to seep from every pore of the music, however they don’t overpower it as the band has a core of Rock/Metal that refuses to be subdued.
This is richly melodic and falls on the more commercial side of the Modern Metal spectrum, although that certainly doesn’t intrinsically mean anything is wrong with it. Quite the reverse in fact, as the songs are strongly written and well-produced.
Although the vocals are undoubtedly the central focus, the music doesn’t slack. The instruments are well played and have a good sound to them. The fact that the guitars are not completely watered down like some bands of a similar style to this should tell you all you need to know. Rather than a vehicle for a singer this is a real band, as the coherence of the album attests to.
The band create very lush and textured soundscapes, with plenty of piano and subtle sounds to accompany the traditional drums/bass/guitar triad. This is an album of memorable tunes and good songs.
Although a lot lighter and considerably less extreme than a lot of the stuff that makes its way onto this site, this is nonetheless a worthy acquisition for when you want something a bit less intense and a lot more floating-ly melodic.
Check them out and have a listen.