We’ve met Paul Catten before, (here, here and here), and you never know what you’re going to get from the man. His latest release is far more accessible and pop-influenced than I was expecting, and it Continue reading
This is an interesting and irregular release. It’s kind of a mix of bubblegum-pop with Continue reading
What do you get if you take jazz-trained musicians and get them to unleash mayhem via emotive post-whatever distortion and passionate delivery? You get Dreamarcher. Their eponymous debut is Continue reading
The band play an interesting style of music that has its origins in Depressive Black Metal but has developed into more of a Shoegaze, Post-Rock entity which has plenty of melody and even an Indie feel in places.
This may be an album rooted in the darkness of Black metal but it has long transcended those beginnings and now travels waters brighter but no less melancholic.
The songs are relatively upbeat and feature very atypical clean vocals; atypical in that they sound more akin to the type of voices used in commercial stadium faux-Metal than this kind of music. Harsher screams are also used and these are more in keeping with the style. The clean vocals really do add a differentiating point to the tracks however, although I imagine they’ll be quite contentious for some purists.
This is Post-Black Metal and Shoegaze but without the deep-seated misery that those kind of bands usually revel in. The darkness is there, certainly, but the driving Rock influence to their sound buries it under hopeful harmonies and Post-Rock melodics. The album has more in common with Katatonia and Paradise Lost than it does with bands like Forgotten Tomb.
This is somewhat of an eclectic album as it’s rare to hear Rock, Shoegaze Black Metal and Indie all in one place. Not only do we have that here but the band do an exceedingly good job of keeping it from sounding disjointed or messy.
Autumn’s Dawn are somewhat of a unique band in many ways. Although this will inevitably mean that a lot of people won’t take to this and it will slip through the musical cracks, it also means that for those who are willing to give it a chance this is a hidden gem waiting to be discovered.
In a way it’s a real shame as with the right backing and exposure there is a lot of potential for a much wider audience for Gone, and all without compromising the artistic integrity of the music.
Time to try something a bit different and give Autumn’s Dawn a listen.