Griffon give us a very agreeable and enjoyable take on medieval-influenced black metal. Across 40 minutes, ὸ θεός ὸ βασιλεύς, (or o Theos, o Basileus), proves to be aggressively melodic and energetic, but not without atmosphere or depth. Continue reading “Griffon – ὸ θεός ὸ βασιλεύς (Review)”
Par-Delà Noireglaces et Brumes-Sinistres contains 69 minutes of music that combines atmospheric black metal with dungeon synth, creating an engaging journey into medieval times for the listener to become immersed in. Continue reading “Crépuscule d’Hiver – Par-Delà Noireglaces et Brumes-Sinistres (Review)”
Aria of Vernal Tombs is the follow up to their first album, Suspended in the Brume of Eos.
The album features a cover that is dear to my heart as it depicts Valle Crucis Abbey, a place I’ve been to many times. With that in mind I happily pressed play and the band didn’t let me down.
Obsequiae return with another round of medieval-influenced Black Metal. They play Melodic Black Metal and have refined their melodic attack by improving on the already well-defined melodies from their début.
The production means that Obsequiae sound bigger, better and bolder this time around, but it’s not just that; the music sounds more confident and sure of itself. Something has clicked somewhere and Aria of Vernal Tombs is even more enjoyable than its predecessor.
Medieval instrumentation adds authenticity to the tunes and it merges seamlessly with the Metal. You can almost imagine this kind of Black Metal being a popular form of music all those centuries ago…almost…
This release is a nice and natural progression for Obsequiae and I hope they continue to develop in the future. The longest song here is just under 5 and a half minutes in length but I can easily imagine them writing involved songs twice that length. Here’s hoping.
For now though, slip on Aria of Vernal Tombs and become immersed.
This is dark and atmospheric Black Metal with a strong medieval feel and influence to the melodies. Said melodies are thick and emotive, swallowing the listener and transporting them to another century.
Frequent interludes intersperse the songs, adding to the medieval theme of the album. These mini sagas add great feeling to an album already awash with melodic entreaties.
The rasped Black Metal vocals seem to glide out of the layered guitars, piercing the tuneful riffs with a harsh reality check before they quickly recover like nothing happened and it’s back in time we go once more. Not that they had Metal back in ye olde times of course, but if they had…
Imagine Dissection had they embraced the aforementioned medieval influence, this should give you a good idea of where Obsequiae are coming from.
The sound seems to flow organically and the riffs are like liquid nature distilled to their Blackest essence and allowed to root deep in the mind of the listener.
Obsequiae grow there, in the dark, quietly taking shape until they cannot be removed. Listen to Obsequiae and one day you’ll know what I mean.