Salvaticus – Ordo Naturalis (Review)

Salvaticus - Ordo NaturalisThis is the second album from US black metallers Salvaticus.

2014 seems quite long ago, but that was when the very enjoyable Hidden Manna was released. I really, really liked that record, and it even made my end of year list for that year. Over five years later, the band have now returned with Ordo Naturalis, and it seems they have been busy. Continue reading

The Body – I Have Fought Against It, but I Can’t Any Longer (Review)

The BodyThis is the fifth album from US experimental sludge band The Body.

After 2016’s monstrous No One Deserves Happiness, and their sterling collaboration with Full of Hell, we now have another 50 minutes of harsh sounds that merge industrial, noise, sludge, doom, and electronics together into a captivating whole. Continue reading

LÜÜP – Canticles of the Holy Scythe (Review)

LÜÜPLÜÜP is a, (deep breath), Greek one man experimental avant-garde blackened classical band, (phew), and this is his third album.

Canticles of the Holy Scythe features 37 minutes of music that consists of a black metal undercoat, which has then been fully fleshed out and painted with colours from folk, progressive, avant-garde, ambient, and classical music. Continue reading

Promethean Misery – Ghosts (Review)

Promethean MiseryPromethean Misery is a one-woman project playing atmospheric and doom metal-influenced neo-classical music.

After her extremely impressive and enjoyable Bloodlet EP from earlier in the year, this new album contains more alluring, dark, and wonderfully-realised music. Continue reading

Suns of Sorath – Flowers of the Lily (Review)

Suns of SorathThis is the debut album from Suns of Sorath, a progressive black/death metal band from the US.

Flowers of the Lily boasts a lot of complex, technical playing. This has been structured into progressive music with black/death leanings, and peppered with avant-garde, classical, and jazz influences. Continue reading

Igorrr – Savage Sinusoid (Review)

IgorrrIgorrr is a one-man project, (with guests), and this is his fourth album.

How to describe this? It’s not easy. Well, I think I’ll just sidestep the entire issue and call it a metal album and be done with it. Then I’ll run away and hide. So, ‘metal’ loosely covers it in a general sense, I suppose, but what an injustice a simple genre tag can be.

This is an album that’s as insane as the album cover. Continue reading