I’ve enjoyed following Everest Queen, from their initial self-titled EP in 2016 to their debut album Dead Eden in 2019, so to have a new album appear in the wild is a fine thing. Murmurations boasts 44 minutes of new music, so let’s get stuck in. Continue reading “Everest Queen – Murmurations (Review)”
Having enjoyed 2016’s self titled debut EP it’s good to have a full length from the band now. This is progressive sludge metal, with an imposing presence and plenty of riffs. The band’s promo blurb states that this is for fans of High on Fire, Om, Mastodon, and Isis, and it’s hard to disagree. Continue reading “Everest Queen – Dead Eden (Review)”
Here we have 48 minutes of material from exploratory doomsters Morag Tong.
Last Knell of Om is an expansive and compelling listen, riven with huge slow guitars and imbued with a keen spacial awareness. It’s Continue reading “Morag Tong – Last Knell of Om (Review)”
Organ play a merging of Doom, Sludge and Psychedelic Metal.
A colossal, crushing sound heralds Tetro’s beginning, and this is a theme which is developed throughout. They’re not without their introspective moments, but the overall emphasis is on heavy atmospheres.
Speaking of atmosphere, Organ have it in buckets. Or rather, waves, as the onslaught of heaviness seems to internally generate its own ecosystem which bleeds out of the speakers like controlled tsunamis of density.
Relentless, repetitive rhythms drive the music forward, while dark vocals seem to lurk just beneath the surface. Harsh screams and cleaner vocals both have a place on this record, although the singer’s voice is used like an additional instrument to merely enhance the power and focus of the main musical maelstrom.
A roiling, churning beast of an album. It’s relatively short for this kind of release at ‘just’ over half an hour in length, but it packs a lot of punches into that time and Tetro is a very worthwhile listen for anyone into layered, atmospheric Doom.