Apparently this is a rerecording of the band’s 2016 release Blackbound, with added vocals, and other differences. I was totally unfamiliar with Second to Sun’s work prior to listening to The Black, so I can’t comment on how this relates to Blackbound, other than to say that it does. Continue reading
This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading
This is quite hard to classify, but essentially Den Förstörda Människans Rike is a festering, ugly mix of Swedish death metal, hardcore/crust and Swedish grind.
This is the follow up to 2014’s Desideratum. Continuing their slow-burning evolution of merging the underground filthy side of black metal with something altogether more modern and epic in scope, The Whole of the Law is their Continue reading
Due to the name of this band I was expecting short, punky, excrement-filled black metal lasting probably no longer than about 20 minutes. What we actually get is a full 60 minutes of hate-powered misanthropy and perversion, courtesy of these blackened maniacs.
This is ugly music that the band manage to stretch out Continue reading
Now this is an interesting release.
0N0 combine the industrial, death metal and doom genres together, creating an album that has aspects of all weaved into its genes.
How to classify this? Well, extreme metal is the easy cop out, and as these things don’t ultimately matter that much, I suppose that will do. Industrial death/doom is more specific, of course, but there we are.
Think of the something like Continue reading
As soon as I press play my attention is hooked by what blares out of the speakers. It’s scything, sharp Black Metal with a tight sound and enough frosted melodies and dark aggression to cut deep into the most jaded of hearts.
Gloom play Brutal Death Metal with a Blackened element that allows them to add a viciously melodic edge to their unrelentingly savage assault.
Vocally, we get grunting, pignoise and serrated screams. It’s an impressive display of violence and the various voices are all used when they need to be to wrench up the brutality.
Gloom know how to maximise the extremity of the music while retaining a dynamic approach to songwriting so that the listener doesn’t get bored of listening to the same thing over and over again.
Although they boast an undeniably barbaric core, the Black Metal influence allows the band to add an entire other layer to their assault, with ugly, Blackened riffs and evil atmospheres pervading the songs like an infection.
It’s an interesting approach, as the blasting mayhem is tempered by the malevolent atmosphere in such a way that these two aspects of the band seem at war with each other over which way is best to flay you. This is completely to the listener’s benefit though, as it results in songs that have a creative violence to them that is lacking in many extreme bands.
Imagine a more brutal, Blackened Behemoth, mixed with the hybrid assault of a band like Gloria Morti or Anaal Nathrakh and drenched in the filth of underground Brutal Death Metal…this is where Gloom lurk.
The production allows the band to showcase all of this and everything is pleasingly balanced. Fast or slow the band sound great, but manage to avoid becoming overly polished or sterile. This is music that has a foetid warmth that you can feel as it guts you.
These tracks really are an impressive collection of songs, and there are more interesting ideas and quirks of extremity on this album than a lot of bands manage in a career.
Highly recommended. The more I listen to this, the more it becomes a firm favourite of mine.
Blimey. Hugely impressive. I’m floored.
French Black Metal always has something interesting to add to the genre and there are a large amount of quality and interesting Black Metal bands that call France home.
With this in mind, let’s have a look at The Negation. As becomes swiftly apparent, this is another gritty jewel in the French scene’s horned crown.
The Negation play grim-ridden Black Metal that stylistically speaks of bands like Deathspell Omega and Funeral Mist, mixed with the more orthodox Black Metal delivery of someone like Dark Funeral and the raging hatred of a band like Anaal Nathrakh.
Raging hatred is a good term for The Nagation; this is music that definitely rages and you can almost feel the heat come from the guitars. There’s an ugly brutality to this and the songs on Memento Mori are like dangerous slabs of spiked hatred-made-manifest.
Occasionally breaking out from the band’s onslaught are dark melodies and even the odd solo. These fleeting attempts to escape the nihilistic vacuum that the band creates are quickly drawn back into the fold though and smothered with darkness, not to be seen again until the next brief escape attempt.
Blackened screams that are seemingly filled with bile and disgust infest the music like malignant growths.
This is not pretty Black Metal. This is raw, evil and devastating. It’s also a damn fine listen.
French Black Metal wins again.
Merda Mundi play raw and misanthropic Black Metal that’s brutal and not for the easily scared.
The label blurb makes comparisons to Anaal Nathrakh and Antaeus and it’s easy to see why; this is a visceral and bloody assault that leaves no stone unturned in its quest for carnage.
The music is harsh and fast, with a good recording that brings out the grime and grit of the songs without sounding too rough around the edges. The album sounds on fire and every bit as dangerous.
The music gallops along at a frenetic pace. The guitars rage and the drums bludgeon. The vocals sound utterly unhinged and quite daemonic in places.
This kind of music has a deep love of all things brutal and is evil enough to cater to those who love both types of Black Metal. Lurking underneath the brutality and devastation is a deeper level; these songs also have dark melodies and atmospheric sections that don’t let up the intensity but do add another layer of listening experience to the tracks. It’s skilfully done.
If you want an album that knows how to create malevolent atmospheres as well as being able to rip your head off then VI – Khaos is the place to be.