Rorcal are a Swiss post-black/doom metal band and this is their seventh album.
Rorcal are a shapeshifting band that are more than worthy of your attention, (here, here, here, here, here). In other words, when they release something, it always rewards investigation. So what grim shape does Mahre take? Continue reading “Rorcal – Mahre (Review)”
Kōya are a post-hardcore band from Denmark and this is their debut album.
Pendula consists of 38 minutes of material that is impressively wrought, especially for a first record. Kōya bring a few different influences together well, and the result is an album as devastating as it is well-rendered. Continue reading “Kōya – Pendula (Review)”
This is the second album by Ba’al, a blackened post-metal band from the UK.
I’ve been looking forward to this. 2017’s In Gallows by Mass introduced me to Ba’al’s brand of post-metal, but it was on 2020’s Elipsism where the band truly came into their own, developing a post-black metal framework for their post-metal that was hugely impressive. Last year’s EP Soft Eyes, a quality collection of songs, merely whetted my appetite for more, which we are now gifted with in the form of the 62-minute The Fine Line Between Heaven and Here. Continue reading “Ba’al – The Fine Line Between Heaven and Here (Review)”
Cross Bringer are a black metal band from Russia and this is their second album.
Brought to us by the singer of Predatory Void and the drummer of Downfall of Gaia, Healismus Aeternus contains 27 minutes of scathing modern black metal. Taking influences from post-black metal, blackened hardcore, and crust, and building them into a whirlwind of intricate ferocity, Healismus Aeternus is a rewarding album that should find favour with fans of bands such as Black Birch, Celeste, Hexis, Rorcal, Still, The Sun’s Journey Through the Night, and Wiegedood. Continue reading “Cross Bringer – Healismus Aeternus (Review)”
Rorcal are a Swiss post-black/doom metal band and this is their sixth album.
Rorcal have shown what they’re capable of very ably on previous releases such as their 2014 split with Process of Guilt, 2016’s κρέων (Creon), 2019’s Muladona, and 2021’s collaboration with Earthflesh, so I was eager to experience the punishment Silence inevitably held in store for me, whatever form it took. On this release we get 42 minutes of new material, and it is not to be approached by the unwary. Continue reading “Rorcal – Silence (Review)”
Axioma are a post-black/sludge metal band from the US and this is their second album.
I first met Axioma back in 2016 on their debut EP Opia, which seems like an age ago. Well, since then they haven’t been idle, and their second album Sepsis came out earlier this year. Let’s dive in. Continue reading “Axioma – Sepsis (Review)”
Witch Coven is a collaboration between Swiss post-black/doom metallers Rorcal, and Earthflesh, a noise incarnation of Rorcal’s ex-bassist.
This collaboration has birthed two immense tracks with a duration of 30 minutes in total. Combining Continue reading “Rorcal & Earthflesh – Witch Coven (Review)”
Rorcal are a Swiss blackened post-metal band and this is their fifth album.
Rorcal are an ever-shifting beast, producing a wealth of material over their career spanning doom, drone, post-metal, and black metal. After the furious blackened assault of κρέων (Creon), Muladona is a different proposition. Continue reading “Rorcal – Muladona (Review)”
Celeste are a French blackened doom/sludge/hardcore metal band and this is their sixth album.
The artwork of Celeste albums has always been very striking and atypical, but I think they’ve outdone themselves this time. Continue reading “Celeste – Infidèle(s)”
Viscera/// are an Italian experimental post-metal band and this is their third album.
The tag post-metal can mean almost anything at this stage in the game, and on 3: Release Yourself Through Desperate Rituals, Viscera/// show that they can pull off almost any style you want to name under its protective aegis.
In simple terms, I Continue reading “Viscera/// – 3: Release Yourself Through Desperate Rituals (Review)”
