This is the latest EP from Estuarine, a one-man death metal band.
I greatly enjoyed both Lucid/Entheogen and Sic Erat Scriptum, so a new EP’s worth of material is most welcome. Continue reading “Estuarine – Wisdom of Silenus (Review)”
This is the latest EP from Estuarine, a one-man death metal band.
I greatly enjoyed both Lucid/Entheogen and Sic Erat Scriptum, so a new EP’s worth of material is most welcome. Continue reading “Estuarine – Wisdom of Silenus (Review)”
This is the second album from Third Island, an Irish post-metal band.
Dusk and Omelas showed a band developing and growing into their style well, and Unspeakable is the latest chapter in their continued journey. Continue reading “Third Island – Unspeakable (Review)”
This is the third album from The River, a doom metal band from the UK.
Featuring a member 40 Watt Sun/ex-member of Warning, The River play traditional doom metal bolstered by a skilful interpretation of the style. Continue reading “The River – Vessels into White Tides (Review)”
This is the second album from international death metal group Wormhole.
I liked 2016’s Genesis, and now the band are back with a new album and a new lineup. Here they give us 28 minutes of destructive modern extremity. Continue reading “Wormhole – The Weakest Among Us (Review)”
Oceans are a metal band from Germany/Austria, and this is their debut album.
Oceans are an interesting band. Their music consists of an engaging combination of diverse influences, all wrapped together with coherent skill. Elements of death metal, melodic metal, melodic doom, nu-metal, and progressive metal can all be heard. Think of Continue reading “Oceans – The Sun and the Cold (Review)”
Vomit Fist are a grindcore band from the US and this is their latest release.
Here we have 20 minutes of complex, vicious grindcore. This is not your standard grindcore, however, and Vomit Fist have produced something far more atypical and individual than most. Continue reading “Vomit Fist – Omnicide (Review)”
This is the second album from UK post-black metallers Kassad.
Following on from 2017’s Turn Faces Away, Kassad now provide us with London Orbital, a dystopian concept album that’s modern and crushing in its bleak portrayal of near-future existence. Continue reading “Kassad – London Orbital (Review)”
This is the fourth album from Abstruse, an experimental rock project from Greece.
Well, there’s a lot going on here. This is music that refuses to be just one thing, and exists as a constantly-shifting mass of musical styles and content. Amazingly, Submerge:Ritual works with this well, and doesn’t come across as disjointed or a failed science experiment. Continue reading “Abstruse – Submerge:Ritual (Review)”
Haunt are a heavy metal band from the US and this is their third album.
Haunt clearly exist to worship at the altar of 80s heavy metal and NWOBHM, yet do so in a way that allows the band a contemporary edge all of their own. This new album delivers 37 minutes of anthemic tuneage, and does so with skill and aplomb. Continue reading “Haunt – Mind Freeze (Review)”
This is the second album from one-man US black metal band Ramihrdus.
Here we have 45 minutes of raw atmospheric black metal that also contains folk and ambient elements. The music is layered and rich, with a multitude of additional instruments used in addition to the core you would expect on a metal album. This allows for Continue reading “Ramihrdus – Midsummer’s Twilight (Review)”