2021’s Frozen Bloom was an enjoyable blend of atmospheric post-blackened intensity and shimmering dark ambience. Have Olhava managed to recreate their dark magic once again? Continue reading “Olhava – Reborn (Review)”
It has been seven long years since 2015’s Infinite Dissolution, but Locrian have finally resurfaced to bring us a tale of apocalyptic decline and environmental decay. New Catastrophism is a different record to its predecessor though. It contains 36 minutes of new material divided into four tracks, and showcases Locrian at their sparsest, yet also their most immersive and atmospheric. Continue reading “Locrian – New Catastrophism (Review)”
Blood & Spirit is the follow up to 2016’s colossal Black Snow Desert. On their new record Nonsun have crafted an absorbing 55-minute collection of music, enticing the listener with a soundscape of doom, drone, sludge, post-metal, and dark ambient combined. Continue reading “Nonsun – Blood & Spirit (Review)”
An Evening Redness gives us a 55-minute journey into doom, dark ambient, and drone, one that uses worldbuilding to effectively craft entire vistas of bleak, sparse environments. Continue reading “An Evening Redness – An Evening Redness (Review)”
After being really struck by the quality of Mütterlein’s split with Limbes from earlier in the year, I was looking forward to getting to grips with what Bring Down the Flags had to offer. Continue reading “Mütterlein – Bring Down the Flags (Review)”
Ephemeris offers a 56-minute journey into darkness. Spreading itself across a range of styles and genres, including post-black metal, dark ambient, noise, doom, jazz, and industrial, the album is a multifaceted collection of apocalyptic soundscapes brought to vibrant life by a talented act. Continue reading “Misanthur – Ephemeris (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Les Acteurs de L’Ombre Productions has released some very strong albums over the years, so I always like to keep up with what they’re putting out. Imagine my horror when I discovered that I was a good couple of months behind with their releases. To rectify, I’ve collected the three below for your delectation… Continue reading “Label Roundup: Les Acteurs de L’Ombre Productions – Limbes, Mütterlein, Aorlhac, & Hegemon (Reviews)”
As follow up to 2108’s mighty slab of malefic horror that was Cinerous Incarnate, (and Wound Empire and Tomb of Feathers before it), Abominion is Abstracter’s latest assault on the light. Continue reading “Abstracter – Abominion (Review)”
After enjoying 2013’s self-titled debut, and 2017’s much darker Earthwreck, I’m always interested in revisting the apocalyptic shores of 71TONMAN. Continue reading “71TONMAN – War Is Peace // Peace Is Slavery (Review)”
This is the latest EP from French sludge doom band Cult of Occult.
Ruin contains a single 22-minute eponymous track; a nightmarish monster of prodigious proportions. Not only that, but there’s also a bonus track in the form of a remix of the title track, which itself lasts 19 minutes. Overall, this release boasts 41 minutes of anguished blackened sludge doom. It’s nasty, but it’s also damn good. Continue reading “Cult of Occult – Ruin (Review)”