Malevolence are a metal band from the UK and this is their third album.
Malevolence play the sort of groove metal/metalcore hybrid that sounds like it should have been released in the mid-90s. If you take bands like Pantera and Hatebreed, and then throw in a touch of Crowbar, you’ll have a decent reference point for what Malevolence get up to on Malicious Intent; 38 minutes of Continue reading “Malevolence – Malicious Intent (Review)”
This is the debut album from Greek heavy metal band Battle Symphony.
War on Earth gives us a whopping 69 minutes of music to absorb, (including the bonus track). Described as a conceptual metal opera with a sci-fi theme, it’s the result of one man’s vision, who then brought a plethora of people together to realise it. It combines symphonic, folk, power, and classical styles into a meaty heavy metal feast, and contains contributions from Continue reading “Battle Symphony – War on Earth (Review)”
This is the third album from US industrial metal band Return to Earth.
Industrial metal is a rather nebulous and potentially misleading genre tag when applied to Return to Earth. Oblivion is a very diverse and idiosyncratic record, with elements of metal, post-hardcore, industrial, progressive rock, and electronica all present in the music. This Continue reading “Return to Earth – Oblivion (Review)”
This is the second album from Bulgarian metallers Gwendydd.
Blending aspects of melodic death metal, nu-metal, industrial, and metalcore into 32 minutes of charismatic metal, Gwendydd have produced an enjoyable album in Censored. Continue reading “Gwendydd – Censored (Review)”
This is the debut album from Pyrithe, an experimental sludge/post-metal band from the US.
Featuring a member of Noltem, along with guests from Noltem and Pyrrhon, (among others), Monuments to Impermanence is a 48-minute journey into experimental heaviness. Continue reading “Pyrithe – Monuments to Impermanence (Review)”
This is the latest EP from UK metal act Heriot.
Heriot play an interesting and diverse style of music that combines metallic sludge heaviness with hardcore fury and industrial harshness. Heriot don’t really sound like any one band, and it’s great to hear music like this that isn’t concerned with genre boundaries. Continue reading “Heriot – Profound Morality (Review)”
Skull Fist are a Canadian heavy metal band and this is their fourth album.
Paid in Full boasts 34 minutes of true, old-school heavy metal, and it’s good to hear.
Skull Fist are a band that were Continue reading “Skull Fist – Paid in Full (Review)”
Grayscale Season are a Swedish metalcore band and this is their second album.
Grayscale Season have written a hypercompetent, professional, and engaging collection of tracks on Do You Like Violence. This is metalcore with a firm eye on creativity and diversity. You’ll find thundering groove, harsh vocals, and heavy riffs, as you would expect, but there’s also a lot of other ideas, sounds, and influences here. There are post-metal and post-hardcore elements spread across the album too, further increasing its variety. Grayscale Season are certainly not what I’d call your average band. Continue reading “Grayscale Season – Do You Like Violence (Review)”
Monuments are a progressive metal band from the UK and this is their fourth album.
Monuments play modern progressive metal with melody and hooks. In Stasis boasts 50 minutes of well-written material to soak up. Monuments have been one of those bands that I’ve heard many good things about over the years, but it’s only now that I’m Continue reading “Monuments – In Stasis (Review)”
This is the third album from Imminent Sonic Destruction, a progressive metal band from the US.
The Sun Will Always Set contains 52 minutes of expressive progressive metal. It’s an album that might not be what you think it is as it wears many hats across its playing time. Continue reading “Imminent Sonic Destruction – The Sun Will Always Set (Review)”
Wonderbox Metal 