Demoniac – Nube Negra (Review)

Demoniac - Nube NegraThis is the third album from thrash metal band Demoniac, from Chile.

Demoniac are back with more ripping thrash that’s memorably enriched with non-standard ideas and songwriting, as well as clarinet, Moog, and accordion. The band’s idiosyncratic style was very nicely demonstrated on 2021’s So It Goes, and on Nube Negra they spend 42 minutes showcasing their individual style once more. Continue reading “Demoniac – Nube Negra (Review)”

Till the Dirt – Outside the Spiral (Review)

Till the Dirt - Outside the SpiralThis is the the debut album by US extreme metal band Till the Dirt.

Brought to us by the singer of Atheist, Outside the Spiral contains 46-minutes of atypical extreme metal. It has a death metal base, but this is spliced with a few different influences to create something a little outside of the norm. Continue reading “Till the Dirt – Outside the Spiral (Review)”

Noveria – The Gates of the Underworld (Review)

Noveria - The Gates of the UnderworldThis is the fourth album from Noveria, a progressive power metal band from Italy.

Containing 108 minutes of material, The Gates of the Underworld is a feast of music for fans of luscious and rich progressive power metal. As a rough guide, think of a mix of bands such as Threshold, Evergrey, and Pagan’s Mind. Continue reading “Noveria – The Gates of the Underworld (Review)”

The Gorge – Mechanical Fiction (Review)

The Gorge - Mechanical FictionThis is the third album from US progressive metallers The Gorge.

Mechanical Fiction contains 45 minutes of modern, heavy music. The Gorge are an interesting band, in that they are ostensibly a band you’d give the tags of  progressive metal and technical metal too, but they also incorporate avant-garde and jazz elements into their style, as well as having an underpinning hardcore/sludge influence that’s formative. Continue reading “The Gorge – Mechanical Fiction (Review)”

Spirit Adrift – Ghost at the Gallows (Review)

Spirit Adrift - Ghost at the GallowsThis is the fifth album from the US heavy metal band Spirit Adrift.

I’ve always enjoyed what Spirit Adrift offer, (check out Chained to Oblivion, Curse of Conception, Divided by Darkness, and Enlightened in Eternity), so new album Ghost at the Gallows is most welcome. Continue reading “Spirit Adrift – Ghost at the Gallows (Review)”

Horrendous – Ontological Mysterium (Review)

Horrendous - Ontological MysteriumThis is the fifth album from US death metallers Horrendous.

Horrendous’ trajectory through their last three albums – 2014’s Ecdysis, 2015’s Anareta, and 2018’s Idol – has been an enjoyable one to experience, but it’s been a while since we’ve heard from them. As such, it’s great to finally have Ontological Mysterium, which contains 38 minutes of new material. Continue reading “Horrendous – Ontological Mysterium (Review)”

Oblivion Protocol – The Fall of the Shires (Review)

Oblivion Protocol - The Fall of the ShiresThis is the debut album from international progressive rock band Oblivion Protocol.

The Fall of the Shires is an interesting record in that it’s a sequel to Threshold’s 2017’s album Legends of the Shires, born from a desire by Oblivion Protocol founder/vocalist/keyboardist Richard West, (also keyboardist in Threshold), to continue that album’s themes and worldbuilding. Continue reading “Oblivion Protocol – The Fall of the Shires (Review)”

Rannoch – Conflagrations (Review)

Rannoch - ConflagrationsRannoch are a progressive death metal band from the UK and this is their third album.

Conflagrations offers a 52-minute journey into multifaceted music that falls somewhere between progressive death metal foundations and more ambitious extreme progressive metal proclivities. Bolstered by the percussive skills of the drummer of Ne Obliviscaris, Rannoch are a skilled band that have a clear vision for their brand of extreme music. Continue reading “Rannoch – Conflagrations (Review)”