Les Bâtards du Roi are a French black metal band and this is their second album.
Les Bâtards du Roi play melodic black metal with a medieval theme. Les Chemins de L’Exil brings us 47 minutes of material, and it’s pretty damn good. Actually, that’s an understatement – this is exceptional, and stands out from the average black metal release noticeably. Continue reading “Les Bâtards du Roi – Les Chemins de L’Exil (Review)”
I’m so happy to be back at one of the world’s best black metal festivals. I love it here at Fortress Festival, and I can’t wait to work through such a great lineup again. If you haven’t been here before, make sure you don’t miss the 2026 edition.
Last year’s Fortress was excellent. I saw every band available, with the exception of a mere few when I needed to find food, essentially. This year I’m going to try an adopt a more sensible approach, (at least from one perspective), and not kill myself trying to catch everything again. Having said that, I’ll still be trying to watch as many bands as I realistically can, while factoring in food, downtime, circumstances, etc. This year’s lineup is so good though, that every band is worth seeing, and in an ideal world I’d do just that. Regardless, we’ll see how we get on. And also, there are some bands playing this weekend that are just absolutely mandatory.
Before we get into it – as was the case last year, I have once again been blessed to be able to use the stunning photographs from the very talented Aleksandra Hogg, (which is why they are far, far, far superior to the photos I normally take when left to my own devices). I urge you to check out her work at Acidolka here, here, or here. Continue reading “Fortress Festival 2025 – Scarborough Spa, Scarborough, 31/05/25-01/06/24 (Live Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Surprisingly, I haven’t done one of these columns since 2022! I was genuinely shocked when I realised this recently. So, it seemed like the perfect time to revisit it, and to get caught up on some of Avantgarde Music‘s releases. This is a label I rate highly, and never seem to get enough time to adequately cover, so here’s three new albums all seeing the light of day on January 31st 2025. Continue reading “Label Roundup: Avantgarde Music – Selvans, Skaldr, and Void of Hope (Reviews)”
This is the debut album from Wraithfyre, a UK solo black metal band.
On Of Fell Peaks and Haunted Chasms the artist behind Wraithfyre delivers 37 minutes of old-school symphonic black metal. It’s good stuff, and has clearly been created by somebody that knows the style well. Continue reading “Wraithfyre – Of Fell Peaks and Haunted Chasms (Review)”
This is the third album from French one-man black metal band Inherits the Void.
Hot on the heels of last year’s The Impending Fall of the Stars, the artist behind Inherits the Void has returned with 44 minutes of new material with Scars of Yesteryears. Are you concerned about the lack of time between releases? Don’t be, as Scars of Yesteryears is a cracking album. Continue reading “Inherits the Void – Scars of Yesteryears (Review)”
This is the second album from US death metal band Veriteras.
Veriteras play melodic black/death metal inspired by the old-school Scandinavian scene of the 90s. The Dark Horizon is a 31-minute homage to this era, and boy does it get a lot right. Continue reading “Veriteras – The Dark Horizon (Review)”
Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.
2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.
There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.
As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.
I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”
This is the debut album from Finnish black metallers Moonlight Sorcery.
Horned Lord of the Thorned Castle contains 44 minutes of symphonic melodic black metal. However, beneath this simple description hides a deeper truth, that Moonlight Sorcery offer more than just black metal to enjoy here. Continue reading “Moonlight Sorcery – Horned Lord of the Thorned Castle (Review)”
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