Black Moth – Anatomical Venus (Review)

Black MothThis is the third album from Black Moth, a doom rock band from the UK.

On Anatomical Venus Black Moth combine doom, garage, and psychedelic rock ,with a bit of the old metallic heavier stuff, into 45 minutes of kicking jams and beguiling songs. Continue reading

Diablo Blvd – Zero Hour (Review)

Diablo BlvdThis is the fourth album from Belgian dark metal/rock band Diablo Blvd.

Just take a look at that album cover. I mean, how could you not be intrigued by that?

When you delve in, you’ll find that Diablo Blvd play a mix of classic and Continue reading

Epitaph – Claws (Review)

EpitaphThis is the second album from Italian doom metallers Epitaph.

2014’s Crawling out of the Crypt was one of my favourite release from that year, and if I had to do that best of list over again the album would have definitely made it into the top 20 or so. As much as I enjoyed it at the time, it’s been a firm grower, and is an exceptional example of doom metal done right in an authentic, honest, and traditional way. Continue reading

Telekinetic Yeti – Abominable (Review)

Telekinetic YetiTelekinetic Yeti are a US stoner/doom metal band and this is their debut album.

With a heady whiff of stoner, Clutch and Black Sabbath-esque vibes, Telekinetic Yeti deliver over 40 minutes of psychedelic doom rock/metal for the listener’s delectation. Add in some Red Fang and Mastodon and you have a very full album. Continue reading

Druids – Cycles of Mobeum (Review)

DruidsDruids are a doom/sludge metal band from the US and this is their latest album.

Druids take elements of modern bands like Mastodon and Behold! The Monolith and infuse them with an earlier style of doom and blues, as produced by bands like Earth and Black Sabbath.

There’s a quality level of musicianship on Cycles of Mobeum, and this Continue reading

Sourvein – Aquatic Occult (Review)

SourveinThis is the fourth album from these US Sludge/Doom veterans.

Sourvein return with an aquatic-themed album, it seems.

The band play their sludge with a raw energy that seems to tap into something primeval and old, probably something lurking in the deepest waters in the darkest ocean.

With a heavy sound that’s warmly analogue, these songs have a kind of retro vibe to them that manages to eschew any of the normal bullshit trappings that such a term usually involves. Rather, what we have here is music that’s honest, visceral and not afraid to get dirty, (wet?).

The songs have groove and melody, both of which are used well throughout the playing time. It’s an endearing mix of influences that combine on this release, with everything from Electric Wizard, Eyehategod, Black Sabbath, Acid Bath and Mastodon making it into the melting pot.

Short tracks don’t outstay their welcome, and Sourvein know how to flourish a song with a relatively short playing time for maximum effect.

There are some quality and earthy, (aquatic?), guitar solos included, alongside a bass that just sounds really, really good.

The singer reveals himself to be quite versatile, with clean and rough singing, as well as throaty shouts used where necessary. He has a lot of presence and charisma, which can also be said of the songs as a whole. Taken together the music and the vocal performance make for a very strong collection of tracks that are both catchy and memorable.

Well, this is very, very enjoyable. Sourvein stick out from the crowd as having something a bit special and being a bit different from the norm.

You gotta get this, or Poseidon will be pissed.

Brimstone Coven – Black Magic (Review)

Brimstone CovenBrimstone Coven are a Hard Rock band from the US. This is their second album.

Brimstone Coven worship at the smoky altar of all things 60s and 70s. Black Sabbath, Pentagram and Led Zeppelin may be obvious reference points, but there’s more going on here than you might expect and Black Magic is a well-rounded release that is greater than the sum of its influences.

This album has a pleasingly authentic sound, both in the recording and the vibes that seem to come off the music in heady waves.

The main vocalist’s voice suits the music well and there’s lots of catchy singing going on here, which works well with the equally catchy music. The band also employ multi-singer harmonies and put these to good use.

The music is instantly familiar and it’s easy to get into this and feel a pleasant buzz emanating from it. The songs contain so many good riffs and warm melodies that every song has something pretty damn special to offer.

Black Magic gives us 55 minutes of music to entrance and captivate. If you’re in the mood for this kind of thing then it really is up there with the best of them. With top-drawer songwriting and a decent amount of variety and moods to explore, this is a very enjoyable release.

I’m not always a huge fan of music that takes its inspiration from this era, (although bands such as Witchcraft, Agusa, Ecstatic Vision and Greenleaf have been known to frequent my playlist from time to time…), but when it’s done well and with enthusiasm and passion as it clearly is on Black Magic, the result is infectious and hard to ignore.

Highly recommended.