Soreption are a Swedish death metal band and this is their fourth album.
I thoroughly enjoyed 2014’s Engineering the Void, so Jord was high on my list of albums to check out. Clocking in at a lean 31 minutes Jord doesn’t mess around. Rarely have the gods of technical groove found such a fitting outlet as Soreption. Continue reading “Soreption – Jord (Review)”
Deathwhite are a melodic metal band from the US and this is their third album.
I’ve thoroughly enjoyed witnessing Deathwhite’s continued development, (check out Ethereal, Solitary Martyr, For a Black Tomorrow, and Grave Image), so the appearance of Grey Everlasting is very welcome. On their latest release Deathwhite spend 48 minutes doing what they do best, only better than they ever have done it before. Continue reading “Deathwhite – Grey Everlasting (Review)”
Inanimate Existence are a US progressive death metal band and this is their sixth album.
A new Inanimate Existence album is always welcome. They’re a reliable and enjoyable act, (see here, here, here, and here), and I always look forward to hearing them. The Masquerade delivers 40 minutes of new material that more than adheres to the quality standards that the band have set for themselves so far. Continue reading “Inanimate Existence – The Masquerade (Review)”
Oreyeon are an Italian stoner rock band and this is their third album.
Here we have 42 minutes of stoner rock crafted by a band that know the style well enough to want something extra from it. Oreyeon combine elements of doom, grunge, stoner, psychedelic, progressive, and heavy rock into their music, pushing themselves to produce a quality listen that doesn’t rely on tired tropes to make its impact felt. Continue reading “Oreyeon – Equations for the Useless (Review)”
This is the second album from US extreme metal band Kardashev.
Kardashev have an unusual sound that consists of a mixture of shoegaze and deathcore, to which elements of black, progressive, atmospheric, and post-metal have been added. This is then all rolled into an atypical contemporary package that lasts 60 minutes. Post-deathcore, maybe? Either that, or deathgaze, as the band style themselves.
This is the fifth album from French progressive black/death metallers.
Helioss play a hybrid style of black and death metal that has progressive influences and symphonic aspects. Across 62 minutes Contre ma Lumière delivers a multifaceted album of atmosphere, aggression, and majestic grandeur. Continue reading “Helioss – Contre ma Lumière (Review)”
This is the fifteenth album from legendary German thrash metal band Kreator.
Five long years have passed since 2017’s Gods of Violence. Are you ready for a new Kreator album after all that time? Of course you are. Containing 46 minutes of new material, Hate Über Alles showcases the band as we love them – passionate, melodic, and full of fiery molten metal heaviness. Continue reading “Kreator – Hate Über Alles (Review)”
Azaab are a death metal band from Pakistan and this is their debut album.
Summoning the Catalysm features 38 minutes of professional death metal. It’s brutal and aggressive, and boasts both technical flourishes and progressive enhancements, all delivered in a lean 38 minutes, (and there’s a decent Decapitated cover too). Continue reading “Azaab – Summoning the Cataclysm (Review)”
This is the third album from Spanish death metallers Ataraxy.
This is the follow up to 2018’s Where All Hope Ends, and contains 44 minutes of new material.
Ataraxy play death metal that’s dark and malevolent. The well-written songs have a doom Continue reading “Ataraxy – The Last Mirror (Review)”
Miasmes are a French black metal band and this is their debut EP.
Miasmes play classic second wave black metal with an underlying punk energy. It’s old-school and raw, and pretty damn nasty. Continue reading “Miasmes – Vermines (Review)”
Wonderbox Metal 