This is the fourth album from Indian one-man extreme metal band Demonstealer.
I enjoyed both 2016’s This Burden Is Mine and 2021’s The Holocene Termination, so it’s now time to catch up with the talented artist behind Demonstealer. This time he’s come with a large supporting cast, as he’s assembled an enviable amount of musicians to help him to achieve his metallic goals, (from Continue reading “Demonstealer – The Propaganda Machine (Review)”
Soreption are a Swedish death metal band and this is their fourth album.
I thoroughly enjoyed 2014’s Engineering the Void, so Jord was high on my list of albums to check out. Clocking in at a lean 31 minutes Jord doesn’t mess around. Rarely have the gods of technical groove found such a fitting outlet as Soreption. Continue reading “Soreption – Jord (Review)”
Interloper are a progressive metal band from the US, and this is their debut album.
Although this band feature ex-members of acts such as Abiotic and Rings of Saturn, Interloper is a different proposition to groups like that. Search Party contains 55 minutes of music, and has more in common with far more accessible bands; think of a mix of acts such Continue reading “Interloper – Search Party (Review)”
This is the second album from Alluvial, a modern death metal band from the US.
Sarcoma contains 38 minutes of progressive death metal. Alluvial fuse their modern approach to the style with technical, progressive, and atmospheric flourishes, yet do so in a restrained song-based way. This results in songs that are atypical expressions of Continue reading “Alluvial – Sarcoma (Review)”
This is the third album from US death metallers Abiotic.
Abiotic play modern death metal that takes influence from the technical and progressive strains of the style, as well as from some elements of deathcore. The promo blurb states that Ikiagi is for fans of bands such as Continue reading “Abiotic – Ikigai (Review)”
Wonderbox Metal 