The Weight of Remembrance offers a 48-minute Gothic doom metal journey into darkness and sombre atmospheres. The promo states that this is for fans of My Dying Bride, Candlemass, Type O Negative, Paradise Lost, Occultation, Dream Unending, and Pentagram, and this gives a Continue reading “Tribunal – The Weight of Remembrance (Review)”
After enjoying both 2018’s The White Witch and 2020’s 1692, I’ve been looking forward to Skin & Sorrow. I have not been disappointed. Continue reading “Frayle – Skin & Sorrow (Review)”
I’ve thoroughly enjoyed witnessing Deathwhite’s continued development, (check out Ethereal, Solitary Martyr, For a Black Tomorrow, and Grave Image), so the appearance of Grey Everlasting is very welcome. On their latest release Deathwhite spend 48 minutes doing what they do best, only better than they ever have done it before. Continue reading “Deathwhite – Grey Everlasting (Review)”
Following on from 2015’s Darkness Drips Forth and 2018’s Ossuarium Silhouettes Unhallowed, The Tritonus Bell is another gruesome slab of death/doom, only this time it has been infused with a greater amount of classic heavy metal influences. Continue reading “Hooded Menace – The Tritonus Bell (Review)”
Looking for a doom record that has epic-length songs and music that’s crushing, while also boasting a surprisingly delicate touch in places? Look no further. Continue reading “Maestus – Deliquesce (Review)”
Fractured Spine play Blackened Gothic Doom/Death Metal. Which is to say that they take the Doom/Style, add Gothic touches to the music and then layer a Black Metal fuzziness, melody and feel over everything. Early 90’s Gothic Black Metal mixed with Doom/Death.
They are also a bit more experimental than a lot of bands who play the Doom/Death style, which again gives them more of a Black Metal theme to my eyes.
Vocally the band eschew the normal purely Doom/Death deep vocals for a more varied approach involving a mix of deep growls, high screams and Gothic cleans.
Some songs have more of a Black Metal feel, others more of a Gothic Doom feel and occasionally even an early Lacuna Coil or …In The Woods style makes an appearance.
The keyboards and Gothic effects are prevalent throughout the album and it’s a refreshingly different take on the Doom/Death sub-genre.
A surprisingly varied album that experiments with its sound to create a mixture of related styles under one album.
Check them out and see what you think.