This is the third album from UK death metallers Unfathomable Ruination.
Enraged and Unbound is a contains a monstrous 43 minutes of brutal, technical death metal. Continue reading “Unfathomable Ruination – Enraged and Unbound (Review)”
This is the third album from UK death metallers Unfathomable Ruination.
Enraged and Unbound is a contains a monstrous 43 minutes of brutal, technical death metal. Continue reading “Unfathomable Ruination – Enraged and Unbound (Review)”
Lord Mantis are from the US and play Blackened Sludge Metal. This is their fourth album.
2014’s Death Mask was a tortured nightmare of evil sludge, pretty much as foul as the style gets. Five years later the band have returned, infecting the world with 44 minutes of new material that’s as virulent and as nasty as ever. Continue reading “Lord Mantis – Universal Death Church (Review)”
This is the fourth album from doom rockers Avatarium, who are from Sweden.
2017’s Hurricanes and Halos was a quality album that stood out from other ostensibly similar bands playing this sort of style. On The Fire I Long For, however, there’s the impression that the band have really come into their own. Continue reading “Avatarium – The Fire I Long For (Review)”
Moanaa are a Polish post-metal band, and this is their latest EP.
Both 2014’s Descent and 2016’s Passage made great impressions, so when a new 26-minute EP appeared, it was a time of rejoicing. This EP contains three tracks – two original cuts and a Placebo cover, the latter of which features a guest vocalist. Continue reading “Moanaa – Torches (Review)”
This is the third album from Italian black metal band Earth and Pillars.
2016’s Pillars I consisted of four monolithic tracks that made a very good impression. A release full of dark delights, it was a memorable album that still holds itself very well three years later. Continue reading “Earth and Pillars – Earth II (Review)”
This is the second album from Drift into Black, a solo, (with guest musicians), death/doom metal act from the US.
Anthems from the Darkest Winter contains 56 minutes of material, (including a Pink Floyd cover). The music mixes death, doom, and Gothic metal together into songs that have a good balance between all three strains of heaviness. Continue reading “Drift into Black – Anthems from the Darkest Winter (Review)”
This is the second album Greek post-hardcore/sludge band Chronoboros.
Having enjoyed both Dialing up the Cutter and No Dirt or Silver Will Have Us Sated, we now turn to the latest Chronoboros release, which finds the band in good form as they plough through 35 minutes of angular, unorthodox material. Continue reading “Chronoboros – The Mass Saw Acres of Chain (Review)”
This is the second album from Iapetus, a progressive death metal band from the US.
2017’s The Long Road Home impressed with its colossal take on atmospheric, progressive, melodic death metal. Now, in 2019, the band have returned with an even more professional delivery and production, one which features the percussive skill of the drummer of Ne Obliviscaris too. As for the music? Well, it’s simply breathtakingly good. Continue reading “Iapetus – The Body Cosmic (Review)”
This is the debut album from Spanish death metallers Orthodoxy.
On their first record Orthodoxy deliver 43 minutes of death metal that’s dark and malevolent. Taking influence from old-school death metal acts, (such as Incantation and Immolation, but without being limited to these), Novus Lux Dominus is a satisfying example of an album that’s both crushingly heavy and atmospherically malignant. Continue reading “Orthodoxy – Novus Lux Dominus (Review)”
This is the debut album from Endless Voyage X, a black metal band from the US.
Here we have 34 minutes of music that takes a second wave black metal base and builds on it with additional melody and atmosphere. Continue reading “Endless Voyage X – Opaque (Review)”