Ne Obliviscaris are an Australian extreme progressive metal band and this is their fourth album.
It seems like such a long time ago that 2017’s Urn came out – and it was – so it’s great to now have Ne Obliviscaris back with Exul. Containing 52 minutes of new material, Exul may just be Ne Obliviscaris’ best album yet. Continue reading “Ne Obliviscaris – Exul (Review)”
This is the eighth album from Redemption, a progressive metal band from the US.
Following up 2016’s The Art of Loss and 2018’s Long Night’s Journey into Day, Redemption now return with 55 minutes of new material, (71 minutes including a remix and covers of Genesis and Peter Gabriel songs), on I Am the Storm. Continue reading “Redemption – I Am the Storm (Review)”
This is the debut album from Norwegian stoner/sludge metal band Håndgemeng.
Ultraritual provides us with 42 minutes of stoner/sludge metal that has a hardcore edge. Taking a high energy approach to riff-focused heavy music, yet varied within this, Ultraritual is a melting pot of influences that come together well. Continue reading “Håndgemeng – Ultraritual (Review)”
This is the second album from US stoner/sludge metal band Witch Ripper.
Witch Ripper play a brand of heavy music that exists somewhere between sludge metal and progressive rock. The Flight After the Fall is an ambitious and enjoyable slab of modern progressive sludge that takes the listener on a 47-minute journey into expressive and emotive waters. Continue reading “Witch Ripper – The Flight After the Fall (Review)”
Megaton Sword are a heavy metal band from Switzerland and this is their second album.
Containing a member of Forlet Sires, Might & Power is a 39-minute romp into true heavy metal waters. Break out the weaponry, as it’s time to go rampaging. Continue reading “Megaton Sword – Might & Power (Review)”
Tithe are an extreme metal band from the US and this is their second album.
Inverse Rapture is a 29-minute cocktail of foul filth made up of black metal, death metal, sludge, and grindcore. Tithe’s sound is grim and dark, yet wonderfully abrasive within this. Their extreme metal style is hard to pin down, and it’s definitely a hybrid of the abovementioned genres. Blackened sludge with a grindcore edge? Something like that. Hell, I’m just going to call this extreme metal and be done with it.
The Enigma Division are a progressive metal band from Ireland and this is their debut album.
Brought to us by ex-members of Xerath, The Enigma Division is a 65-minute epic of progressive metal. Continue reading “The Enigma Division – The Enigma Division (Review)”
Suasion are a Belgian modern metal band this is their second album.
Suasion’s music is a modern brand of metal that has electronic, ambient, and orchestral enhancements, alongside influences from metalcore, alternative metal, progressive rock, djent, pop, and industrial. A lot has gone into the making of The Infinite, and the band’s ambition is well-realised. Continue reading “Suasion – The Infinite (Review)”
This is the fifth album from US metal band Oozing Wound.
Following on from 2019’s High Anxiety, We Cater to Cowards contains 41 minutes of new material. However, this is not the same band we encountered on High Anxiety. Continue reading “Oozing Wound – We Cater to Cowards (Review)”
Mask of Prospero are a modern metal band from Greece and this is their second album.
Hiraeth provides a 41-minute contemporary blend of progressive metal, djent, and metalcore. Continue reading “Mask of Prospero – Hiraeth (Review)”
Wonderbox Metal 