This is the debut album from Belgian sludge/post-metal band Predatory Void.
Featuring current and ex-members of Amenra, Carnation, Living Gate, Cobra the Impaler, Oathbreaker, and Aborted, Seven Keys to the Discomfort of Being is a 43-minute multifaceted trip into extreme metal darkness. Continue reading “Predatory Void – Seven Keys to the Discomfort of Being (Review)”
This is the second album from UK alternative/melodic metal band As Everything Unfolds.
Ultraviolet contains 36 minutes of modern metal that blends together elements of alternative rock, post-hardcore, metalcore, and nu-metal, into an enjoyable and charismatic record. Continue reading “As Everything Unfolds – Ultraviolet (Review)”
This is the second album from Canadian death/thrash metallers Raider.
Over 39 minutes Trial by Chaos combines the melodic strains of death and thrash metal into eight tracks of savage intensity. Raider know how to write a good tune, and Trial by Chaos is packed with them. Continue reading “Raider – Trial by Chaos (Review)”
This is the second album from UK progressive metal band Sermon.
Of Golden Verse is a 49-minute tour de force of engaging progressive metal. Sermon’s new album immediately grabs your attention with its vibrant, feeling-focused personality, and holds it throughout the running time by the sheer quality and richness of its material. Continue reading “Sermon – Of Golden Verse (Review)”
This is the third album from UK sludge metal band Allfather.
A Violent Truth is a 27-minute kick to the head. This is ugly sludge metal played in the way that that it should be played; raw, honest, and brutal. Continue reading “Allfather – A Violent Truth (Review)”
This is the third album from Morass of Molasses, a stoner rock/metal band from the UK.
Following on from 2019’s The Ties That Bind, End All We Know contains 38 minutes of fuzzed-out jams. Playing a stoner-inflected brand of heavy blues that benefits from metal and rock components, Morass of Molasses bring us an individual vision of a well-worn style. Continue reading “Morass of Molasses – End All We Know (Review)”
Frozen Crown are an Italian power metal band and this is their fourth album.
With promo blurb that states Call of the North is for fans of Iron Maiden, Blind Guardian, Hammerfall, Dragonforce, and Unleash the Archers, it would be churlish not to check this out. I’m glad I did. Continue reading “Frozen Crown – Call of the North (Review)”
Ne Obliviscaris are an Australian extreme progressive metal band and this is their fourth album.
It seems like such a long time ago that 2017’s Urn came out – and it was – so it’s great to now have Ne Obliviscaris back with Exul. Containing 52 minutes of new material, Exul may just be Ne Obliviscaris’ best album yet. Continue reading “Ne Obliviscaris – Exul (Review)”
This is the eighth album from Redemption, a progressive metal band from the US.
Following up 2016’s The Art of Loss and 2018’s Long Night’s Journey into Day, Redemption now return with 55 minutes of new material, (71 minutes including a remix and covers of Genesis and Peter Gabriel songs), on I Am the Storm. Continue reading “Redemption – I Am the Storm (Review)”
This is the debut album from Norwegian stoner/sludge metal band Håndgemeng.
Ultraritual provides us with 42 minutes of stoner/sludge metal that has a hardcore edge. Taking a high energy approach to riff-focused heavy music, yet varied within this, Ultraritual is a melting pot of influences that come together well. Continue reading “Håndgemeng – Ultraritual (Review)”
Wonderbox Metal 