Betraying the Martyrs play keyboard-enriched metalcore that contains elements of both technical and nu-metal. The band’s sound makes for a dynamic listen that doesn’t pull punches, either musically or emotionally. Roughly a mix of Bleeding Through, American Headcharge, Carnifex, Korn, Born of Osiris, and Slipknot, Rapture is a rich and enjoyable album. Continue reading
The Odious’ progressive metal is a mix of modern technical/progressive/death metal and progressive rock. The end result can be loosely characterised as a mix of The Faceless, Opeth, Between the Buried and Me, Sikth, Meshuggah, Ulcerate, and Devin Townsend. Continue reading
So what do Gürschach sound like? I suppose if you take a base of classic heavy metal, while mixing in elements of modern, alternative, thrash, and progressive metal, you’ll have a good place to start from. Continue reading
Mixing modern metal, metalcore, thrash metal, nu-metal, and groove metal into their sound, this is an enjoyable romp through a landscape that sees many different complementary influences touched upon. Continue reading
What happens when deathcore runs out of room to expand within its restrictive genre confines and needs to spread its wings into a wider world? The Violent Sound is what happens.
Mixing the heavy, low-end rumble of deathcore with a slice of nu-metal, The Last Ten Seconds of Life have a sound that is largely one of their own in 2016. Continue reading