2014’s Nero in Metastasi was not only a top quality grindcore release, but one that I’ve frequently returned to over the years. Continue reading “Cripple Bastards – La Fine Cresce da Dentro (Review)”
I love me some unruly, pissed-off grindcore, and this certainly hits the mark. Continue reading “Atomçk – Every Room in Britain (Review)”
Here we have over 40 minutes of well-written deathgrind. The band take the brief, energetic bursts of punk and grindcore, and entwine them with the staying power of death metal, making for an album that exists on both worlds. Continue reading “Buckshot Facelift – Ulcer Island (Review)”
Prisoner 639 get things going in a slow-burning fashion, opening up with lots of noise, distortion and feedback. Before long some drums and bass enter the fray, producing grim sludgy sounds. After a couple of minutes of this the Continue reading “Prisoner 639/Throw Me in the Crater – Split (Review)”
Oh yeah! It’s always fun to hear a band that take a standard style and mutate it with their own passionate interpretation, and Grossty do exactly that with the short-bouts-of-violence grindcore template.
Featuring 21 tracks in just under 21 minutes, this may be short but Continue reading “Grossty – Crocopter (Review)”
Prolefeed start us off with 15 tracks of pissed-off Hardcore, tearing it up straight away with fast beats and a razor-sharp guitar sound.
Even though the songs are all short, sometimes they do slow the pace down and give vent to their groovier side. Apart from this, it’s all Hardcore-fury as the band play fast enough to vent their rage but rarely enter blast beat territory.
The riffs are full of confident swagger and attitude, embracing their heritage and really going for the throat.
The vocals are high shouts, angry and harsh, just as we like it.
After this we have War All the Time, who contribute the final 11 tracks to this violent split.
War All the Time have an uglier, fuzzier, filthier production than Prolefeed’s sharpness, and benefit from a rounder sound in this regard.
Other than that there are a lot of similarities between the bands; short songs, (although on average slightly longer for War All the Time), Punk fury, swagger, attitude, fast but-not-blast-beats, etc.
The singer has a deeper shout than that of Prolefeed; a throaty snarl shouting belligerently across the tracks.
Like their partners on this split, it’s an enjoyable listen. On balance, I think I prefer Prolefeed’s contribution though as there’s a little more variety in attack, but both sides hit the spot for a bit of grinding angry Hardcore violence.
Have a listen.
Playing a pissed off Hardcore-tinged version of Grind; Cripple Bastards may have been around for many a year now but they are not falling short on the ideas or integrity fronts.
Riffs fly around all over the place like splinters and the drums pound like bowling balls being dropped. Effortlessly combining Hardcore, Punk, Grind and Death Metal into short songs with all being presented in their inimical savage style. There is a even a 9 minute epic Splendore E Tenebra which is as unexpected as it is welcome.
The vocals are a thing of rabid beauty; running the gamut from deep, guttural Death Metal vocals to higher rasps, the one thing that never changes is the intensity of them.
Favourite Track: Lapide Rimossa. The Old-School and the New merged flawlessly to create an excellent song. A microcosm for the album as a whole.
When Grindcore is played this well it’s easy to remember what you love about the genre. The energy and passion in these songs is infectious.
This is a Grind masterclass performed by people who are at the top of their game. This album easily differentiates itself from so many Grind-wannabes by the character and individuality of the band, let alone the quality of the songs. A must for any fan of Grindcore.