This is raging thrashcore, taking thrash metal, hardcore, grindcore, and punk elements into consideration as it spends 24 minutes doing a bucketload of damage. Continue reading “Traffic Death – Dead End (Review)”
This is a raw and visceral grinding crust assault that channels the old-school energy of bands such as Napalm Death, Discharge, and Extreme Noise Terror into 27 minutes of utter savagery. Continue reading “Marginal – Total Destruction (Review)”
This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading “Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)”
Featuring 10 originals and 2 covers of Dead Infection and Terrorizer songs, Cicatrix wear their influences on their collective sleeves and deliver 29 minutes of utter carnage.
This is a mix of brutal death metal and ugly grindcore. The band know how to play fast, but Continue reading “Cicatrix – Suffocated Faith (Review)”
Razoreater combine elements of Old-School Hardcore and, unexpectedly, Swedish Death Metal into their furious blend of Grindcore.
Ugly vocals with a fierce Old-School Hardcore snarl to them rage out from the tracks, angry enough to cause violent feelings just by their very presence.
The music has a dirty Swedish Death Metal feel to it that’s quite delicious, especially as it’s filthed-up Grind that’s being played. Due to this, some of the riffs also have that Swedish feel, especially when the band slow the pace and concentrate on mood and evil melodies; all of which is a great addition to the standard Grinding mayhem.
These songs are full of good riffs and decent songwriting. This is a band who play at full speed very well, but know when it’s a good idea to slow things down and try a different method of attack. 13 minutes later – faces are broken and skin has been bruised.
Interesting, very interesting. Cross Extreme Noise Terror, Entombed and Rotten Sound together and you’ll have an idea of where Razoreater are coming from.
Razoreater make an impressive din. Check them out.
Prolefeed start us off with 15 tracks of pissed-off Hardcore, tearing it up straight away with fast beats and a razor-sharp guitar sound.
Even though the songs are all short, sometimes they do slow the pace down and give vent to their groovier side. Apart from this, it’s all Hardcore-fury as the band play fast enough to vent their rage but rarely enter blast beat territory.
The riffs are full of confident swagger and attitude, embracing their heritage and really going for the throat.
The vocals are high shouts, angry and harsh, just as we like it.
After this we have War All the Time, who contribute the final 11 tracks to this violent split.
War All the Time have an uglier, fuzzier, filthier production than Prolefeed’s sharpness, and benefit from a rounder sound in this regard.
Other than that there are a lot of similarities between the bands; short songs, (although on average slightly longer for War All the Time), Punk fury, swagger, attitude, fast but-not-blast-beats, etc.
The singer has a deeper shout than that of Prolefeed; a throaty snarl shouting belligerently across the tracks.
Like their partners on this split, it’s an enjoyable listen. On balance, I think I prefer Prolefeed’s contribution though as there’s a little more variety in attack, but both sides hit the spot for a bit of grinding angry Hardcore violence.
Have a listen.
This is a band that have been around for a long time and know a thing or two about ugly brutality. This is Old-School Grind with a firm Hardcore/Punk base that lends the tracks a nervy energy and attitude.
The songs are like short, violent bashes to the head. This is a good thing, honest. It’s raw, uncompromising and savagely delivered.
Each of the tracks is like a shot of adrenaline, with the high-octane Punk riffs and the pummelling drums acting in concert with the frenetic vocals to produce maniacally destructive music.
The dual-vocal assault is belligerent, hostile and unrelentingly antagonistic, frequently straddling the line between murderous and downright frenzied and chaotic.
One of the great things about a band like this though is just how catchy some of these songs are. Sure, they’ll never be a radio hit, (why would they want to be?), but in our rarefied world of Extreme Metal these songs have more hooks than most.
30 years (!) into their career and it’s heartening to see a band like this still so vital and vibrant. Turn up the volume and blast this out for all it’s worth.
This 16 minute EP is brimming with solid Death Metal that is brutally melodic and darkly Metallic.
The band come off as a cross between Bolt Thrower and Morbid Angel with a touch of Behemoth and even a bit of Celtic Frost to some of the riffs. As you can imagine, it’s a heady combination.
The vocals are deep and have an air of the occult about them, as if there’s more going on here than just mere vocalisations and maybe, just maybe, something is being summoned. They sound otherworldly, venomous and nasty all at the same time.
The recording is clear and heavy. There are some lovely riffs on this release. When the band hit their stride, be this with blastbeats or mid-paced riffs, they sound colossal and meaty in all the right places.
This is a great collection of songs from a band who may be relatively new but have a lot of collective experience to their members, (Extreme Noise terror, Entwined, The Blood Divine, Cradle of Filth). This means that The King Is Blind have bypassed the early getting-to-know-our-sound stage and emerged fully-blooded into the Death Metal killing pits.
An album from these will be eagerly awaited I’m sure. Ones to watch.