This is the debut album from Canadian death metal band Atræ Bilis.
Across 32 minutes of brutal darkness, Atræ Bilis explore various expressions of heaviness via roaring death metal. Continue reading “Atræ Bilis – Apexapien (Review)”
Tag: Death Metal
Monthly Overview – the Best of September 2021
There was a lot of very fine music that saw the light of day in September. It was a struggle to limit the below list to just a handful of releases, but I think you’ll find below a good selection of metal albums that should satisfy your musical itches… Continue reading “Monthly Overview – the Best of September 2021”
Sepulchre by the Sea – Ratiocinations (Review)
This is the latest EP from one-man UK post-black metal band Sepulchre by the Sea.
This is the follow up to 2020’s striking Conqueror Worm, which I really liked.
This EP provides us with 26 minutes of new material. The style is a mix of old and new, Continue reading “Sepulchre by the Sea – Ratiocinations (Review)”
Full of Hell – Garden of Burning Apparitions (Review)
This is the fifth album from US grindcore band Full of Hell.
Full of Hell have always impressed. Both 2017’s Trumpeting Ecstasy and 2019’s Weeping Choir did exactly that, and now they have returned with 21 minutes of new material. So, what dark delights does Garden of Burning Apparitions bring us? Continue reading “Full of Hell – Garden of Burning Apparitions (Review)”
Rivers of Nihil – The Work (Review)
This is the fourth album from US progressive metallers Rivers of Nihil.
The Work is a 64-minute journey into the increasingly ambitious world of Rivers of Nihil. 2018’s very well-regarded Where Only Owls Know My Name introduced more progressive elements then the previous album did, and the end result of this same evolution is showcased on The Work. Continue reading “Rivers of Nihil – The Work (Review)”
Signs of the Swarm – Absolvere (Review)
This is the fourth album from US deathcore/death metal band Signs of the Swarm.
Both 2017’s The Disfigurement of Existence and 2019’s Vital Deprivation were crushingly effective records, which has made me quite excited for Absolvere. With a change of album art style, has there been a change of sound too? Continue reading “Signs of the Swarm – Absolvere (Review)”
Cognizance – Upheaval (Review)
This is the second album from UK/Austrian death metal band Cognizance.
Despite enjoying Cognizance’s early work, (such as Inquisition), I somehow managed to miss out on the band’s debut album Malignant Dominion. As such, when Upheaval appeared, lest I miss out again, I greedily took it to one side and hungrily devoured it. Continue reading “Cognizance – Upheaval (Review)”
Carcass – Torn Arteries (Review)
This is the seventh album from legendary UK death metallers Carcass.
Excepting their earliest goregrind days, Torn Arteries takes us on a tour of Carcass’ wide-ranging style across the decades, while simultaneously trying out a few new ideas here and there. This results in an album that manages to be both backwards looking and forwards thinking, which is no mean feat. Continue reading “Carcass – Torn Arteries (Review)”
Vulvodynia – Praenuntius Infiniti (Review)
This is the fourth album from South African death metallers Vulvodynia.
After 2016’s Psychosadistic Design and 2019’s Mob Rules, it’s great to once more be exposed to Vulvodynia’s brand of deathcore-laced brutal slamming death metal. There’s a whopping 57-minutes of violent content on Praenuntius Infiniti. Although I was initially concerned about this, as that length is a bit of a push for this sort of punishing material, it turns out that the band have done their best to make good use of the time. Continue reading “Vulvodynia – Praenuntius Infiniti (Review)”
ILLT – Urhat (Review)
This is the debut album from one-man Norwegian blackened extreme metal project ILLT.
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
