Endon – Boy Meets Girl (Review)

Endon - Boy Meets GirlEndon are a Japanese experimental post-hardcore band and this is their third album.

Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading

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Bedwetter – Bedwetter (Review)

BedwetterBedwetter are a UK grindcore band of sorts. This is their debut EP.

From the prolific mind behind Barrabus, Medulla Nocte, Lazarus Blackstar, The Sontaran Experiment, and more, this is crazy stuff. A sort of chaotic, avant-garde grind/hardcore blend of violence and insanity, Bedwetter have unleashed seven minutes of frenzied absurdity on the world. Continue reading

Igorrr – Savage Sinusoid (Review)

IgorrrIgorrr is a one-man project, (with guests), and this is his fourth album.

How to describe this? It’s not easy. Well, I think I’ll just sidestep the entire issue and call it a metal album and be done with it. Then I’ll run away and hide. So, ‘metal’ loosely covers it in a general sense, I suppose, but what an injustice a simple genre tag can be.

This is an album that’s as insane as the album cover. Continue reading

Convulsif – CD3 (Review)

ConvulsifConvulsif are from Switzerland and this is their third album.

Well this is quite insane. Imagine Ephel Duath, Fantômas, Blut Aus Nord, Atomsmasher and Sunn 0))) all working together to bring on the apocalypse…it’s intense.

The recording is first rate, with everything sounding clear and precise, but not overly so. I especially like the bass presence, which provides a full contribution to the aural chaos.

This features eclectic Metal, freestyle Jazz and Progressive workouts as well as Drone/Doom sections, all plastered together in a melange of Blackened undertones. What to classify this as? Who knows, but it’s pretty damn good. I suppose you could loosely term it Experimental Black Metal, but Convulsif are a band that genre tags just don’t work for.

There are no guitars, which makes CD3 an even more interesting listening experience. Instead, we get drums, bass, clarinet, violins and electronica. Just what the (mad) doctor ordered.

And when you think you’ve heard it all, they do something else that makes you sit up and take notice. The unexpected, demented screaming that suddenly appears just when you’ve taken them for an instrumental band is a case in point.

This is highly creative and individual music that nonetheless manages to create coherent atmospheres across these 29 minutes. The eerie sounds and otherworldly noises emanating from this recording is a testament to the talent of the individuals involved in its birth.

CD3 just needs to be experienced. This is challenging, interesting music that demands your attention.

I love this. What’s not to love? You’ll love it too. LOVE IT!

Lae – Break the Clasp (Review)

LaeLae are from Canada and this is their début album. They play Post-Rock.

Okay, so I say Post-Rock, but not only is that incredibly vague but it also doesn’t really do the band justice, as Lae don’t really sound like you’d probably envisage when you think of Post-Rock. They have an unusual style that’s as enticing as it is seductive.

So, first off I should mention that the band have a very sexy production courtesy of Today is the Day frontman Steve Austin. Apparently he, understandably, became so enamoured with the band’s songs that he ended up providing lead vocals for the entire album. That album is Break the Clasp and the first thing you should know then is that his vocals are stunning.

Haunting cleans are layered together and occasionally enhanced by Austin’s trademark acidic screams to create a performance that’s like a demented lullaby. Breaking the Clasp gives Austin a true platform to demonstrate just how good a singer he actually is.

The music itself is a multi-textured and highly emotive smorgasbord of tasty treats and delights. It’s a hazy, psychedelic mix of Rock and Post-Rock that’s strictly non-conventional and features enough hypnotic melodies to capture your attention forever.

There’s a great variety of mood and feeling to be found here. Doubtless this is not the kind of album to appeal to everyone; it’s not an “instant hit” by any means. It doesn’t suffer from this though, as the songs here have a longevity to be expected of a band who have seemingly taken the best part of over a decade to release their début.

The songs strike a personal note with the listener, drilling down to the core of what’s important in great music; connection, passion and feeling.

Providing band references as comparisons is not easy. Hmm, certain aspects, (but not all by any means – the slower parts mainly), of bands like Today is the Day, Earth, Swans, Fantômas, Angels of Light, etc. are suitable starting points.

Break the Clasp is something of a revelation for me. Albums of this beauty and intrigue don’t come along very often. I’m floored. I love this.

As I write these words it’s nearing the end of 2014, and a lot of amazing album have been released this year. All I know is that Lae will be featuring very highly on my Best of 2014 list.

Achingly necessary.