This is the third album from Burial in the Sky, a death metal band from the US.
The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”
Fleshbore are a death metal band from the US and this is their debut album.
We first met Fleshbore on their 2017 Demo, although the band have unleashed an EP and changed their drummer and vocalist since then. Embers Gathering is 32 minutes of technical death metal that benefits from melodic, atmospheric, and brutal elements. Continue reading “Fleshbore – Embers Gathering (Review)”
This is the third album from Australian doom metallers Lucifer’s Fall.
I’m a sucker for Lucifer’s Fall. Whatever they do seems like filthy doom gold as far as I’m concerned. If you haven’t already, make sure you also check out their past releases, (Lucifer’s Fall, Fuck You We’re Lucifer’s Fall, II – Cursed & Damned, Tales from the Crypt), as every single one of them is worth it. Continue reading “Lucifer’s Fall – III – From the Deep (Review)”
This is the debut album from Decrepisy, a death metal band from the US.
Across 35 minutes Decrepisy play foul, malignant death metal that’s both old-school and timeless at the same time. The band use doom influences well within their sound, and you can hear a thrash metal edge to some of the less-warped and twisted melodies that are sometimes used. Continue reading “Decrepisy – Emetic Communion (Review)”
This is the debut album from US progressive rock band Moon Machine.
I was initially attracted to this album by the evocative album art, and the suggestion that it should appeal to fans of Porcupine Tree, Devin Townsend, Opeth, Alcest, Anathema, and Tool. Sold. Of course, there’s always the danger of being disappointed, but thankfully Moon Machine lived up to its promise. Continue reading “Moon Machine – Moon Machine (Review)”
This is the debut album from Finnish doom metal band Fimir.
Fimir play traditional doom metal with a modern edge and a somewhat cosmic feel in places. Continue reading “Fimir – Tomb of God (Review)”
King Woman are a doom metal band from the US. This is their second album.
Here we have 41 minutes of atmospheric doom metal, flavoured with aspects of post-metal and shoegaze, as well as some dreampop, and avant-garde tendencies. This means that overall King Woman’s sound is an atypical one, and they’ve successfully managed to carve their own niche in a crowded scene. Continue reading “King Woman – Celestial Blues (Review)”
Underdark are a post-black metal band from the UK and this is their debut album.
Underdark combine black metal, post-rock, post-hardcore/screamo, and blackgaze into their sound. That might sound like a slightly strange mix of subgenres, but on Our Bodies Burned Bright on Re-Entry these influences all coalesce into a very effective and enjoyable 36 minutes of post-blackened darkness. Although Continue reading “Underdark – Our Bodies Burned Bright on Re-Entry (Review)”
This is a split between UK hardcore bands Sense Offender and Nil.
Sense Offender start us off, with 8 minutes of material. The band play a form of jagged chaotic hardcore that is belligerent and lethal. Continue reading “Sense Offender/Nil – Split (Review)”
Tombstoner are a death metal band from the US and this is their debut album.
Now here’s one I’ve really been looking forward to. 2020’s Descent to Madness was seriously good, and I’ve only grown to love it even more over time. On Victims of Vile Torture, we once again get a feast of old-school death metal, played with a modern edge that incorporates elements of grind, hardcore, groove, and thrash metal. The music combines all of the above elements into a roaringly good collection of tracks. Continue reading “Tombstoner – Victims of Vile Torture (Review)”
Wonderbox Metal 