This is the third album from US progressive metallers The Gorge.
Mechanical Fiction contains 45 minutes of modern, heavy music. The Gorge are an interesting band, in that they are ostensibly a band you’d give the tags of progressive metal and technical metal too, but they also incorporate avant-garde and jazz elements into their style, as well as having an underpinning hardcore/sludge influence that’s formative. Continue reading “The Gorge – Mechanical Fiction (Review)”
This is the fifth album from the US heavy metal band Spirit Adrift.
I’ve always enjoyed what Spirit Adrift offer, (check out Chained to Oblivion, Curse of Conception, Divided by Darkness, and Enlightened in Eternity), so new album Ghost at the Gallows is most welcome. Continue reading “Spirit Adrift – Ghost at the Gallows (Review)”
This is the fourth album from Swedish metallers Orbit Culture.
Both 2020’s Nija and 2021’s Shaman made very good impressions, and now Orbit Culture are back with another 49 minutes of new material in the form of Descent. Continue reading “Orbit Culture – Descent (Review)”
Urne are a metal band from the UK and this is their second album.
Having loved Urne’s 2021 debut album Serpent & Spirit, it’s safe to assume that A Feast on Sorrow has been one of my most anticipated albums of 2023. I’m very pleased to say that it has not disappointed. Continue reading “Urne – A Feast on Sorrow (Review)”
This is the debut album from Shadow Legion, a progressive extreme metal band from the US.
Shadow Legion contains 68 minutes of music, and is brought to us by current/ex-members of bands such as Diabolic, Gigan, Hate Eternal, and Pyrrhon, among others. Continue reading “Shadow Legion – Shadow Legion (Review)”
This is the debut album Silverburn, a one-man metal/hardcore band from Wales.
Brought to us by an ex-member of Taint and Hark, Self Induced Transcendental Annihilation contains 31 minutes of heavy music that looks back in time for its inspiration, but delivers a slab of brutality wrapped in modern intensity. Continue reading “Silverburn – Self Induced Transcendental Annihilation (Review)”
This is the debut album from UK metal band Lokust.
Infidel is a 52-minute metal album that uses modern, groove, and thrash metal to produce a crushing assault that’s shockingly accomplished for a debut album. Despite the genre tags I’ve just thrown around though, Infidel might not be what you’re expecting. Continue reading “Lokust – Infidel (Review)”
This is the second album from Greek symphonic modern metallers Project Renegade.
Ultra Terra is a 57-minute expression of contemporary metallic heaviness that takes in a range of old and new influences to produce an album of catchy, accessible songs. In other words, they play stadium-friendly heavy music with big choruses and symphonic enrichments. Continue reading “Project Renegade – Ultra Terra (Review)”
Somnuri are a sludge metal band from the US. and this is their third album.
Following on from 2021’s enjoyable Nefarious Wave comes Desiderium, a 38-minute feast of multi-genre sludge metal. On this new album Somnuri showcase their evolving sound, one that heightens the heaviness and aggression, while still retaining the key aspects of who they were before. Continue reading “Somnuri – Desiderium (Review)”
Eleine are a Swedish symphonic metal band and this is their fourth album.
This is my first encounter with Eleine, and it’s a very favourable one. Playing a form of symphonic heavy metal with a distinctly high quality flavour and more metallic might than you might expect, We Shall Remain delivers 37 minutes of engaging music. Continue reading “Eleine – We Shall Remain (Review)”
Wonderbox Metal 