What can you say about a band with a name like Black Fucking Cancer, other than to describe them as sounding completely and utterly evil? 2016’s Black Fucking Cancer and 2019’s Boundless Arcane Invokations – Split with Gloam, both impressed me with their malignant take on underground black metal, so when Procreate Inverse raised its ugly head, I knew I had to prepare myself for a beating. Continue reading “Black Fucking Cancer – Procreate Inverse (Review)”
2017’s Satan ov Suns was an enjoyable record, so I’m glad we now have a new album of occult second wave black metal fury to explore. Made by musicians with a huge range of experience, (having spent time in bands such as Nordjevel, Behexen, Aosoth, Tsjuder, Sargeist, Horna, Nightbringer, Antaeus, and Temple of Baal, to name just a handful), Serpents ov Old is the sound of a group that really know what they’re doing with the style. Continue reading “Doedsvangr – Serpents ov Old (Review)”
Here we have three tracks of newly-birthed Extreme Metal lasting 15 minutes.
The first track Mandragora Malevola is essentially an intro, setting the scene with dark sounds that soon morph into unearthly incantations and invocations. As is the case with most intros, it’s entirely disposable.
So, first proper song is Arkangelvs Satanis (The Red Moon Wolves). Right from the start we get a lovely, filthy guitar sound that sets the tone in no uncertain terms. My first impression is that it reminds me of Antaeus, although this has a bit more of a Blackened Death Metal feel to it too. Soon after we get some absolutely rabid vocals that are somewhere between a growl and a scream, reminiscent of older Behemoth. The band inject some energetic melody to things almost halfway through and also at this point they reveal themselves to have other, grander influences as the song takes on a powerfully epic feel, all the time retaining its raw, dirty sheen. By the end of the song I’m extremely impressed by their Antaeus-meets-Behemoth-meets-Dissection style.
The second song is Apotheosis (Hvmana Manifestvs), and this initially continues the themes and atmospheres projected by the previous track, but soon demonstrates a more Euro-Metal influence that wouldn’t be out of place being described as Atrocity-meets-Hypocrisy. It’s all still wonderfully raw, and the previous influences can still be heard, but it’s great to see a band not constraining themselves to a one-dimensional approach.
Mandragoa Malevola have revealed themselves to the world, and what a glorious revelation it is! This is an exceptional demo and shows a band with a massive amount of potential and promise for the future. If they can harness the dark energy that seeps from every pore on these two songs then their future place at the top of the pile should be assured.
A must listen.
Merda Mundi play raw and misanthropic Black Metal that’s brutal and not for the easily scared.
The label blurb makes comparisons to Anaal Nathrakh and Antaeus and it’s easy to see why; this is a visceral and bloody assault that leaves no stone unturned in its quest for carnage.
The music is harsh and fast, with a good recording that brings out the grime and grit of the songs without sounding too rough around the edges. The album sounds on fire and every bit as dangerous.
The music gallops along at a frenetic pace. The guitars rage and the drums bludgeon. The vocals sound utterly unhinged and quite daemonic in places.
This kind of music has a deep love of all things brutal and is evil enough to cater to those who love both types of Black Metal. Lurking underneath the brutality and devastation is a deeper level; these songs also have dark melodies and atmospheric sections that don’t let up the intensity but do add another layer of listening experience to the tracks. It’s skilfully done.
If you want an album that knows how to create malevolent atmospheres as well as being able to rip your head off then VI – Khaos is the place to be.