Monthly Overview – the Best of January 2022

Wow, what an unexpectedly rich source of great music January was. I honestly can’t remember a January that had so many metal releases that were this good. I’ve chosen five of the best below, and none of them are to be missed… Continue reading “Monthly Overview – the Best of January 2022”

Fit for an Autopsy – Oh What the Future Holds (Review)

Fit for an Autopsy - Oh What the Future HoldsFit for an Autopsy are a deathcore band from the US and this is their sixth album.

Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”

Enterprise Earth – The Chosen (Review)

Enterprise Earth - The ChosenThis is the fourth album from US metal/deathcore band Enterprise Earth.

Enterprise Earth walk a line between modern death metal, deathcore, and metalcore, and on The Chosen the band deliver a whopping 71 minutes of meaty material for listeners to get their teeth into. Continue reading “Enterprise Earth – The Chosen (Review)”

Wilderun – Epigone (Review)

Wilderun - EpigoneThis is the fourth album from Wilderun, a progressive metal band from the US.

Wilderun play progressive metal with elements of death and symphonic metal, and touches of folk. This simple description does little to fully describe how good Wilderun are at weaving these various influences together on Epigone. Continue reading “Wilderun – Epigone (Review)”

Soul Remnants – Raising the Sacrificial Dagger (Review)

Soul Remnants - Raising the Sacrificial DaggerSoul Remnants are a death metal band from the US and this is their fourth album.

Following on from 2013’s Black and Blood and 2017’s Ouroboros, Soul Remnants have now returned with their longest album to date – 50 minutes of new material. If you’re unfamiliar with the band, a mix of old The Haunted and Hypocrisy, (with the occasional dash of Kataklysm and Amon Amarth), is a decent enough starting point to gain an initial idea of how their music roughly sounds, (although this is by no means a comprehensive description). Continue reading “Soul Remnants – Raising the Sacrificial Dagger (Review)”

Dessiderium – Aria (Review)

Dessiderium - AriaThis is the fourth album from Dessiderium, a solo progressive death metal act from the US.

Brought to us by a member of Arkaik and NullingrootsAria contains 63 minutes of progressive death metal.

Aria consists of five long and Continue reading “Dessiderium – Aria (Review)”

Eldritch – Eos (Review)

Eldritch - EosThis is the twelfth album from Eldritch, an Italian power/progressive metal band.

I’ve returned to 2014’s Tasting the Tears more times than I would have thought over the years; it’s just a really good album. Imagine my surprise to discover that they’ve had two entire albums out since that one, and that’s before we even get to their latest release, Eos. Continue reading “Eldritch – Eos (Review)”

Cave Bastard – Wrath of the Bastard (Review)

Cave Bastard - Wrath of the BastardThis is the second album from US extreme metallers Cave Bastard.

2018’s The Bleak Shall Devour the Earth was a record I enjoyed, so I was keen to catch up with what the band were offering in 2021. Continue reading “Cave Bastard – Wrath of the Bastard (Review)”

Vildhjarta – Måsstaden Under Vatten (Review)

Vildhjarta - Måsstaden Under VattenVildhjarta are a Swedish progressive metal band and this is their second album.

Okay, buckle up and get comfortable, as this one’s a beast – there’s 80 minutes of material here, and it isn’t likely to appeal to those uninitiated in the ways of djent. Continue reading “Vildhjarta – Måsstaden Under Vatten (Review)”