This is the fourth album from Spanish death metallers Legacy of Brutality.
Legacy of Brutality play death metal that is backed up by melodic might. Theirs is a recipe that takes many well-used ingredients, but deploys them in ways that end up very tasty and satisfying indeed. Continue reading “Legacy of Brutality – Travellers to Nowhere (Review)”
This is the fourth album from Indian one-man extreme metal band Demonstealer.
I enjoyed both 2016’s This Burden Is Mine and 2021’s The Holocene Termination, so it’s now time to catch up with the talented artist behind Demonstealer. This time he’s come with a large supporting cast, as he’s assembled an enviable amount of musicians to help him to achieve his metallic goals, (from Continue reading “Demonstealer – The Propaganda Machine (Review)”
Soul Remnants are a death metal band from the US and this is their fourth album.
Following on from 2013’s Black and Blood and 2017’s Ouroboros, Soul Remnants have now returned with their longest album to date – 50 minutes of new material. If you’re unfamiliar with the band, a mix of old The Haunted and Hypocrisy, (with the occasional dash of Kataklysm and Amon Amarth), is a decent enough starting point to gain an initial idea of how their music roughly sounds, (although this is by no means a comprehensive description). Continue reading “Soul Remnants – Raising the Sacrificial Dagger (Review)”
This is the debut album from one-man Canadian death metal band Dungeon Serpent.
Well, you don’t tend to hear this sort of thing that much any more, not played in its original, old-school style at any rate. World of Sorrows is melodic death metal, but remove from your mind any thoughts of overly polished stadium-friendly fare. No, this Continue reading “Dungeon Serpent – World of Sorrows (Review)”
This is the sixth album from Truth Corroded, an Australian death/thrash metal band.
Truth Corroded serve up over 40 minutes worth of extreme metal on Bloodlands. The band’s style mixes skull-cracking brutality with razor-sharp thrash metal. This is music to simultaneously get smashed up and lacerated by. Continue reading “Truth Corroded – Bloodlands (Review)”
This is the fourth album from Solium Fatalis, a US death metal band.
Here we have 43 minutes of tasty and aggressive melodic blackened death metal. That may be a bit of a mouthful to say, but the music of Solium Fatalis rolls freely from the speakers and is quite easy to enjoy. Continue reading “Solium Fatalis – Genetically Engineered to Enslave (Review)”
This is the thirteenth album from Canadian death metal veterans Kataklysm.
I hugely enjoyed 2015’s Of Ghosts and Gods, and loved being able to catch the band live on that tour, so this new album is warmly anticipated. Continue reading “Kataklysm – Meditations (Review)”
Dawn of Disease are a death metal band and this is their fourth album.
I wasn’t expecting a new Dawn of Disease album so soon after last year’s enjoyable Worship the Grave, but I’m certainly not complaining about it. Continue reading “Dawn of Disease – Ascension Gate (Review)”
Invasion are a death metal band from the US. This is their fourth album.
War metal. What is it good for?
Absolutely nothing. (Say it again).
WAR!
BOOM!
Yes, that’s the level of my humour today I’m afraid… Continue reading “Invasion – Destroyer of Mankind (Review)”
This is Thunderwar’s debut album. They are a death metal band from Poland.
After their very enjoyable and promising EP The Birth of Thunder in 2013, we now have some fresh material from Thunderwar.
Thunderwar play their death metal with a melodic edge, a slight blackened feel and a sense of grandeur that’s aided and abetted by some sterling riffs. Continue reading “Thunderwar – Black Storm (Review)”
Wonderbox Metal 