Gaerea are a Portuguese black metal band and this is their second album.
The follow up to 2018’s hugely accomplished Unsettling Whispers, Limbo is much-anticipated, and contains 52 minutes of new material. The band’s sophisticated modern black metal has developed further on Limbo, crawling into longer compositions that drip with darkness and misanthropy. Prepare yourself for Limbo. Continue reading “Gaerea – Limbo (Review)”
Descend into Despair are a Romanian doom metal band, and this is their third album.
I like Descend into Despair very much. Both 2014’s The Bearer of All Storms and 2017’s Synaptic Veil scratched that funeral doom itch quite nicely. Continue reading “Descend into Despair – Opium (Review)”
Defeated Sanity are a German death metal band and this is their sixth album.
Defeated Sanity are a well-known band in technical/brutal death metal circles, and with good reason; they have a history of producing music that’s brutally challenging, and destructively effective. Continue reading “Defeated Sanity – The Sanguinary Impetus (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Judicator are a power metal band from the US and this is their fifth album.
Let There Be Nothing is a 60-minute concept album, one that’s epic on scope and ambition. Will this be 2020’s best power metal release? Well, it’s certainly the best one I’ve heard so far, for whatever that’s worth. Continue reading “Judicator – Let There Be Nothing (Review)”
This is the second album from Ahtme, a death metal band from the US.
2018’s Sewerborn was a very satisfying slab of death metal, one that hit the spot quite ferociously. I’ve been looking forward to its follow-up, and haven’t been disappointed. Continue reading “Ahtme – Mephitic (Review)”
This is the debut EP from US death metallers Exaugurate.
Featuring the drummer of Cemetery Filth, Chasm of Rapturous Delirium features 20 minutes of hostile death metal. Continue reading “Exaugurate – Chasm of Rapturous Delirium (Review)”
Molog are an Australian black metal band and this is their debut album.
Tri offers a relatively brief hit of grim, underground blackness. The raw old-school approach of Molog is endearing and authentic, and has been captured effectively across these 33 minutes. Continue reading “Molog – Tri (Review)”
This is the second release by Dim Lords, an anonymous black metal band.
2018’s Last World, Dead Universe was an unpleasant amalgamation of twisted black metal and vicious punk. A Paler You gives us another six tracks of unrelenting vileness to dive into; 20 minutes of aural violence. Continue reading “Dim Lords – A Paler You (Review)”
This is the debut EP from US black metallers Thirsting Altar.
Influenced by first and second wave black metal, Thirsting Altar’s inaugural release contains 16 minutes of well-crafted music. Continue reading “Thirsting Altar – Ascension (Review)”
Wonderbox Metal 