This is the third album from Morbid Evils, a Finnish doom band.
Featuring a member of Rotten Sound, Supernaturals contains four tracks, with a total duration of 40 minutes. The promo blurb mentions bands like Primitive Man, Jupiterian, 71TONMAN, Thou, Conan, Grief, and Warcrab, and this certainly sets the scene for the output of Morbid Evils quite well. Continue reading “Morbid Evils – Supernaturals (Review)”
This is the fifth album from UK progressive rock band Dawnwalker.
Driven by a single artist who has gathered a rich band of musicians around him, the core standard instruments are fleshed out by piano, violins, and no fewer than four vocalists. Continue reading “Dawnwalker – House of Sand (Review)”
This is the twelfth album from Soilwork, a veteran Swedish metal band.
After really enjoying 2019’s Verkligheten, it’s a pleasure to hear some new Soilwork material. Övergivenheten continues with the ever-satisfying Soilwork sound, yet evolves it at the same time. Rich melodies, soaring choruses, and strong songwriting lurk around every corner, as they always do, but on this occasion the focus is slightly different. Continue reading “Soilwork – Övergivenheten (Review)”
This is the third album from Japanese doom band Blacklab.
Following on from 2020’s Abyss, In a Bizarre Dream contains 45 minutes of ancient doom sludge with elements of noise rock and old-school punk. Continue reading “Blacklab – In a Bizarre Dream (Review)”
Alpha Wolf are an Australian metalcore band and Holding Absence are a UK modern rock band. They have teamed up for this split release.
Alpha Wolf, (check out A Quiet Place to Die), give us two songs, lasting just over six minutes in total. Continue reading “Holding Absence & Alpha Wolf – The Lost & the Longing – Split (Review)”
Live Burial are a UK death metal band and this is their third album.
2020’s Unending Futility was a decent slab of old-school death metal carnage. The band are now back with the 47-minute behemoth that is Curse of the Forlorn. Continue reading “Live Burial – Curse of the Forlorn (Review)”
This is the debut album from Hilning, a solo black metal act from Sweden.
Brought to us by a member of Afgrund and Besvärjelsen, Råtijinn contains 48 minutes of frosted black metal ferocity. Hilning’s music merges the old-school cold and dark approach with epic folk-tinged melodies. Continue reading “Hilning – Råtijinn (Review)”
This is the third album from US metal band Orthodox.
Orthodox combine metallic hardcore and nu-metal into a 42-minute slab of angst and heaviness. Continue reading “Orthodox – Learning to Dissolve (Review)”
This is the debut album from Moths, a progressive doom band from Puerto Rico.
Moths paint from a rich and diverse palette and play a form of music that takes influence from a range of places. In essence it’s a mix of stoner, doom, psychedelic, and progressive metal, which has then been expanded to include elements of space rock, 70s progressive rock, and jazz. It’s quite the experience, and Space Force contains 28 minutes of characterful material. Continue reading “Moths – Space Force (Review)”
This is the eighth album form US progressive metallers Leviathan.
I first encountered Leviathan on 2014’s Beholden to Nothing, Braver Since Then. I enjoyed that record, so have made sure to catch up with the band every time they produce something new; 2018’s Can’t be Seen by Looking: Blurring the Lines, Clouding the Truth and Continue reading “Leviathan – Mischief of Malcontent (Review)”
Wonderbox Metal 