Allegaeon are a death metal band from the US and this is their sixth album.
There’s something about Allegaeon’s music that’s very satisfying and moreish. The band have discovered a blending of technicality, progressive flourish, and melodic might that simply works, and works well. Both 2016’s Proponent for Sentience and 2019’s Apoptosis were both great records, ably showcasing Allegaeon’s style of music. Now, in 2022, what does Damnum hold for us? Continue reading “Allegaeon – Damnum (Review)”
Nightrage are a melodic death metal band from Greece/Sweden and this is their ninth album.
I missed 2019’s Wolf to Man, but caught and enjoyed 2017’s The Venomous. Back now with 39 minutes of new material, Nightrage are firing on all cylinders and sound ready to take on the world. Continue reading “Nightrage – Abyss Rising (Review)”
This is the second album from Italian black metallers A Pale December.
A Pale December play bleak atmospheric/melodic black metal, riven with despair and devoid of hope. Mixing old and new influences with ease, Death Panacea is quite the impressive piece of art. Continue reading “A Pale December – Death Panacea (Review)”
This is the debut album from Vorga, a German black metal band.
Here we have 45 minutes of sci-fi-themed black metal. It’s sharp and lethal, honed to a killing edge, and has a more technical delivery than that of your average black metal act. Continue reading “Vorga – Striving Toward Oblivion (Review)”
This is the third album from UK death metallers Venom Prison.
Venom Prison have made a sterling reputation for themselves with their 2016 debut album Animus, their 2019 follow up Samsara, as well as some scorching live appearances.
Erebos is the band’s longest Continue reading “Venom Prison – Erebos (Review)”
Abysmal Dawn are a death metal band from the US and this is their latest EP.
Abysmal Dawn are always worth checking out, in my humble opinion. Their brand of modern death metal is heavyweight and satisfying, and their latest EP offers 19 minutes of meaty aggression to satisfy fans of the style. Continue reading “Abysmal Dawn – Nightmare Frontier (Review)”
Fit for an Autopsy are a deathcore band from the US and this is their sixth album.
Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”
This is the fourth album from US metal/deathcore band Enterprise Earth.
Enterprise Earth walk a line between modern death metal, deathcore, and metalcore, and on The Chosen the band deliver a whopping 71 minutes of meaty material for listeners to get their teeth into. Continue reading “Enterprise Earth – The Chosen (Review)”
Soul Remnants are a death metal band from the US and this is their fourth album.
Following on from 2013’s Black and Blood and 2017’s Ouroboros, Soul Remnants have now returned with their longest album to date – 50 minutes of new material. If you’re unfamiliar with the band, a mix of old The Haunted and Hypocrisy, (with the occasional dash of Kataklysm and Amon Amarth), is a decent enough starting point to gain an initial idea of how their music roughly sounds, (although this is by no means a comprehensive description). Continue reading “Soul Remnants – Raising the Sacrificial Dagger (Review)”
This is the thirteenth album from veteran death metallers Hypocrisy.
Hypocrisy are a death metal band that have always tried different things, have always pushed themselves, and have incorporated many different styles and influences into their music over the decades. On Worship this continues to be the case. Across 51 minutes Continue reading “Hypocrisy – Worship (Review)”
Wonderbox Metal 