This is the second album from US extreme metallers Cave Bastard.
2018’s The Bleak Shall Devour the Earth was a record I enjoyed, so I was keen to catch up with what the band were offering in 2021. Continue reading “Cave Bastard – Wrath of the Bastard (Review)”
October was an absolutely stacked month for great albums! It was very hard to choose just a handful below. There were so many high quality releases and I know whatever I ended up choosing I’d miss some out that deserved to be highlighted, so I’ve just gone with whatever felt right in the moment – if had to do this list again, I’m sure there would be some changes. Having said that, all of the below are superlative albums. Continue reading “Monthly Overview – the Best of October 2021”
This is the second album from Zornheym, a symphonic extreme metal band from Sweden.
Featuring an ex-member of Dark Funeral, Zornheym present us with a symphonic monster of black/death/heavy/extreme metal. Yes, a lot of genres are thrown into this one, to great effect. The Zornheim Sleep Experiment contains 37 minutes of the stuff, and it’s a damn good listen. Continue reading “Zornheym – The Zornheim Sleep Experiment (Review)”
This is the debut album from Canadian death metal band Atræ Bilis.
Across 32 minutes of brutal darkness, Atræ Bilis explore various expressions of heaviness via roaring death metal. Continue reading “Atræ Bilis – Apexapien (Review)”
This is the debut album from one-man Norwegian blackened extreme metal project ILLT.
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
This is the debut album from Sermon of Flames, an Irish blackened death metal band.
This is an album that offers the listener twelve portraits of extremity and harsh soundscapes. It contains 39 minutes of horror, so if you can stomach the band’s violent darkness for that long, then this is for you. Continue reading “Sermon of Flames – I Have Seen the Light, and It Was Repulsive (Review)”
This is the third album from UK black metallers Craven Idol.
It’s great to have some new material from Craven Idol. 2013’s Towards Eschaton and 2017’s The Shackles of Mammon were both records that I hugely enjoyed, and the 41 minutes of new material on Forked Tongues continues this trend nicely. Continue reading “Craven Idol – Forked Tongues (Review)”
This is the debut album from Qrixkuor, a death metal band from the UK, (who also feature from New Zealand a member of Temple Nightside/Vassafor).
Although you can rightly call Poison Palinopsia death metal, Qrixkuor’s music is definitely not your average incarnation of that venerable style. For starters, Poison Palinopsia contains only two tracks, but each is 24 minutes in length. Apart from this, it’s the type of death metal that Qrixkuor play that’s bound to turn some heads. Or turn them inside out, at least. Continue reading “Qrixkuor – Poison Palinopsia (Review)”
Noctambulist are a blackened death metal band from the US, and this is their second album.
Featuring the drummer of Cordyceps, Noctambulist play a blistering form of extreme metal. Formed around a core of brutal death metal, the band then expand on this with elements of black, dissonant, technical, and post-metal, making for songs Continue reading “Noctambulist – The Barren Form (Review)”
This is the second album from US death metallers Seputus.
Here we have 48 minutes of psychedelic extreme metal. Combining elements of black metal, death metal, and grindcore into meaty, substantial tracks, this album is not your standard extreme metal album. Continue reading “Seputus – Phantom Indigo (Review)”
Wonderbox Metal 