This is the second album from US death metallers The Eating Cave.
Hot on the heels of Ingurgitate from last year, The Eating Cave have already returned with 36 minutes of new material. Their previous album made a very good impression on me, so it is great to hear some new songs from The Eating Cave so soon. Their brand of modern technical death metal hit the spot for me on their debut, and the same is true with The Miscalculation.
Continue reading “The Eating Cave – The Miscalculation (Review)”
This is the second album from Canadian death/thrash metallers Raider.
Over 39 minutes Trial by Chaos combines the melodic strains of death and thrash metal into eight tracks of savage intensity. Raider know how to write a good tune, and Trial by Chaos is packed with them. Continue reading “Raider – Trial by Chaos (Review)”
This is the second album from US death metallers Voidceremony.
Featuring members of Decrepisy, Cauldron Black Ram, Mournful Congregation, Atramentus, Worm, and First Fragment, it’s clear a lot of talent and experience has gone into Threads of Unknowing, and this is reason enough to check out Voidceremony. Then the promo blurb goes and tells me Continue reading “Voidceremony – Threads of Unknowing (Review)”
Asystole are a death metal band from the US and this is their debut album.
Siren to Blight contains 29 minutes of death metal that the promo blurb says is influenced by bands such as Gorguts, Virus, Krallice, Cryptopsy, and Anata. Continue reading “Asystole – Siren to Blight (Review)”
This is the debut album from Swedish death metallers Omnicidal.
The Omnicidalist spends 43 minutes blending both the chainsaw and melodic varieties of old-school Swedish death metal. Sounds tasty? It really is. Continue reading “Omnicidal – The Omnicidalist (Review)”
Tempel Wolf are a black metal band from Switzerland and this is their debut release.
Tempel Wolf play atmospheric black metal, and on Hirschgeweihmaskeraden they deliver 32 minutes of material across this absorbing release. Continue reading “Tempel Wolf – Hirschgeweihmaskeraden (Review)”
This is the fourth album from Italian death metallers Devangelic.
There’s always room for more brutal death metal in your life, don’t pretend that there isn’t. If you’ve recovered from Resurrection Denied, Phlegethon, and Ersetu, then Xul is here to give you your next dose of the brutality that I know you love. Continue reading “Devangelic – Xul (Review)”
This is a split between Fit for an Autopsy, Thy Art Is Murder, and Malevolence, who are from the US, Australia, and the UK respectively. It’s the successor of sorts to 2016’s The Depression Sessions. Each band contributes one original and one cover track to this release, which lasts 23 minutes in total. Continue reading “Fit for an Autopsy/Thy Art Is Murder/Malevolence – The Aggression Sessions – Split (Review)”
Yskelgroth are a black metal band from Spain and this is their second album.
Featuring the vocalist from the mighty Avulsed, Bleeding of the Hideous is a 33-minute mix of black and death metal that’s ferocious and harsh, yet not without depth and substance. Continue reading “Yskelgroth – Bleeding of the Hideous (Review)”
Ignominy are from Canada and play death metal. This is their debut album.
Ignominy are not a standard death metal act, and Imminent Collapse is not your run-of-the-mill death metal album. Rooted in the dissonant style, theirs is an avant-garde expression of dissodeath that incorporates blackened textures, technical flourishes, chaotic intensity, and atmospheric proclivities. Continue reading “Ignominy – Imminent Collapse (Review)”
Wonderbox Metal 