L’Incendio have a death metal core that they build on with elements of other sub-genre styles, fleshing out their well-rounded assault in a wider-ranging way than many of their peers.
Combining atmosphere and accessibility into their Continue reading
I’m a big fan of Minsk’s 2009 album, With Echoes in the Movement of Stone, so have been eager to hear this latest release of theirs.
Coming from a Post-Metal view that takes in the stunning panoramas of Isis, Neurosis and Cult of Luna, Minsk were never as well-known as their contemporaries but still managed to hugely impress those lucky enough to hear them.
They have now roused themselves from their six year slumber and produced a hefty piece of work in The Crash & The Draw – 11 tracks, 75 minutes of music.
Well, there’s a lot going on here. Minsk certainly don’t lack for either ambition or talent. This is an album of moods and atmospheres. In the best Post-Metal tradition they know how to build you up and then knock you down.
Psychedelic, Progressive and heavily percussive elements work alongside the crushing guitars and expansive sense of space that the band create.
Emotionally these tracks take in pretty much everything, from the beautiful to the nightmarish, sometimes even in the same song.
The songs are varied, multi-textured and rich with evocative and emotive soundscapes. There’s a lot of depth and nuance to these compositions and it takes a good few spins to fully grasp what’s going on here in some instances.
Much like Nero Di Marte‘s latest work, The Crash & The Draw seems to build upon itself with each listen until the music acts like waves, reinforcing itself so that eventually it just drowns everything else out and you truly begin to wonder how you ever thought there was anything else.
This is truly an album of wonders and otherworldly journeys.
What’s stopping you from listening to this right now?
This is complex and dense music. There’s a lot of substance here, a lot to take in. Nero Di Marte are not your conventional band; they do things differently.
Rather than catchy riffs or hooks, instead they play riffs that merge and flow with each other to build up a complex tapestry over time. As the songs progress it becomes clear very early on that a lot of thought has gone into these compositions.
This is modern, heavy Prog; more akin to Gojira, Mastodon and Memories of a Dead Man than Dream Theater. This isn’t Post-Metal, but the band borrow the sense of dynamics and momentum-building that Post-Metal does so well and fuses them into their own sound.
These are masterfully crafted tracks that are as engaging as they are entrancing. The low-key vocals almost get lost in the churning maelstrom of guitars and percussive treats, yet they’re there, they add a lot to the already busy music and they help the band connect to the listener in a very visceral way.
Derivae sounds very warm, with the drums in particular having a very satisfying feel to them. This feels like real music, not just something pieced together and let loose with minimal feeling.
Overall, this is a thunderously strong album.
A rewarding and entrancing listen.