Aeviterne are a death metal band from the US and this is their debut album.
Aeviterne contain current and ex-members of bands such as Artificial Brain, Tombs, and Pillory, and play a brutal form of death metal with experimental tendencies. Continue reading “Aeviterne – The Ailing Facade (Review)”
This is the fourth album from US grinders Full of Hell.
The noise-enhanced grinding extremity of Full of Hell returns, and with Weeping Choir we get a further 25 minutes of abrasive nastiness and inventive grindcore intensity. Continue reading “Full of Hell – Weeping Choir (Review)”
Sloth Hammer are an experimental sludge/doom band from the UK. This is their second album.
No guitars, two vocalists, two electronicists, (is that a word?), two drummers, and plenty of bass, Sloth Hammer bring the pain on their second album across a colossal and punishing 78 minutes, recorded live and improvised. Continue reading “Sloth Hammer – Superbia Ira Acedia (Review)”
Endon are a Japanese experimental post-hardcore band and this is their third album.
Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading “Endon – Boy Meets Girl (Review)”
Gnaw Their Tongues and Crowhurst are both one man projects. The former is from the Netherlands and the latter is from the US. Both specialise in experimental/black metal music, and they have collaborated for this release. Continue reading “Gnaw Their Tongues & Crowhurst – Burning Ad Infinitum: A Collaboration (Review)”
This is the sixth album from US experimental sludge band The Body.
After 2016’s monstrous No One Deserves Happiness, and their sterling collaboration with Full of Hell, we now have another 50 minutes of harsh sounds that merge industrial, noise, sludge, doom, and electronics together into a captivating whole. Continue reading “The Body – I Have Fought Against It, but I Can’t Any Longer (Review)”
Hundred Year Old Man are a post-metal/sludge band from the UK and this is their debut album.
Breaching contains almost 60 minutes of affecting, emotive material. With a post-metal approach to intensity the band wield their various influences to produce atmospheric sludge metal that’s a monolithic and immersive listening experience. Continue reading “Hundred Year Old Man – Breaching (Review)”
Dagger Lust are a black metal/grind/noise band from the US and this is their debut album.
Featuring members of Triumvir Foul and Witch Vomit, Dagger Lust play ugly, underground black metal that’s been further polluted with murky grindcore and barbed noise. It’s relentlessly nasty and completely unwholesome. Continue reading “Dagger Lust – Siege Bondage Adverse to the Godhead (Review)”
Abjection Ritual are a US industrial doom band and this is their third album.
With an enigmatic, yet enticing album cover, this release drew me in like a moth to a flame. With a few varying and slightly contradictory descriptions of what was contained on this release, I wasn’t quite sure what to expect before pressing play, but knew this was something I wanted to explore. What I found was an unexpected and engaging album. Continue reading “Abjection Ritual – Soul of Ruin, Body of Filth (Review)”
Gnaw Their Tongues is a one man experimental noise/black metal artist from the Netherlands and this is his latest album.
If you haven’t encountered the harrowing works of Gnaw Their Tongues before, then prepare yourself. This is a 36-minute trip into the nightmare visions of a tortured artist channelling what Hell must surely sound like. Continue reading “Gnaw Their Tongues – Genocidal Majesty (Review)”
Wonderbox Metal 